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Review of Delius Orchestral Works

Delius Orchestral Works

It's time for Delians who secretly love this early one-movement Piano Concerto to stand up and be counted: the meditative...

Reviewed by John Steane in issue: 3/1992

Review of Balakirev Symphony 2 etc

Balakirev Symphony 2 etc

Recognition of Balakirev’s genius has been slow – accentuated, no doubt, by his difficult and vituperative personality. Even today, outstanding...

Reviewed by Bryce Morrison in issue: 10/1999

Review of Beethoven String Quartets No 3; No 5; No 16

Beethoven String Quartets No 3; No 5; No 16

Promise blossoms. The Artemis Quartet’s previous recording (of Op 18 No 1 and Op 127 – 12/10) was, despite a...

Reviewed by Nalen Anthoni in issue: 8/2011

Review of Emil Gilels plays Tchaikovsky

Emil Gilels plays Tchaikovsky

This label’s presentation is a disgrace: nothing on the music, soloist, conductors or provenance of the recordings (both dating from...

Reviewed by Jeremy Nicholas in issue: 5/2011

Review of Brahms Piano Concerto No.2

Brahms Piano Concerto No.2

It looked wonderful on paper, but as so often with Olympian encounters, the evidence proved frustratingly uneven. The trouble is,...

Reviewed in issue 2/1994

Review of Orchestral works by Ireland and Bridge

Orchestral works by Ireland and Bridge

All these works are small in scale and modest in their emotional range, but they make a highly enjoyable collection....

Reviewed in issue 5/1987

Review of Tansman Orchestral Works

Tansman Orchestral Works

This disc scores highly on the rarity-value scale, but I suspect that only one of the works was really worth...

Reviewed by Arnold Whittall in issue: 3/1993

Review of Poulenc Les Dialogues des Carmelites

Poulenc Les Dialogues des Carmelites

Kent Nagano and his Lyon forces may well follow their Gramophone Award-winning success of 1990—The love for three oranges—with another...

Reviewed by Alan Blyth in issue: 9/1992

Gramophone Classical Music Awards Winner
Review of Stiles Just So

Stiles Just So

Composer George Stiles and writer Anthony Drewe seem at home with the adventurous and imaginative in their musicals, as with...

Reviewed by jsnelson in issue: 8/2006

Review of Nørgård Siddharta; For a Change

Nørgård Siddharta; For a Change

As in his second opera, Gilgamesh (1971-2), Per Norgard chose an ancient, legendary figure as the central character of his...

Reviewed in issue 12/1995


 

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