Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
It's time for Delians who secretly love this early one-movement Piano Concerto to stand up and be counted: the meditative...
Reviewed by John Steane in issue: 3/1992
Recognition of Balakirev’s genius has been slow – accentuated, no doubt, by his difficult and vituperative personality. Even today, outstanding...
Reviewed by Bryce Morrison in issue: 10/1999
Promise blossoms. The Artemis Quartet’s previous recording (of Op 18 No 1 and Op 127 – 12/10) was, despite a...
Reviewed by Nalen Anthoni in issue: 8/2011
This label’s presentation is a disgrace: nothing on the music, soloist, conductors or provenance of the recordings (both dating from...
Reviewed by Jeremy Nicholas in issue: 5/2011
It looked wonderful on paper, but as so often with Olympian encounters, the evidence proved frustratingly uneven. The trouble is,...
Reviewed in issue 2/1994
All these works are small in scale and modest in their emotional range, but they make a highly enjoyable collection....
Reviewed in issue 5/1987
This disc scores highly on the rarity-value scale, but I suspect that only one of the works was really worth...
Reviewed by Arnold Whittall in issue: 3/1993
Kent Nagano and his Lyon forces may well follow their Gramophone Award-winning success of 1990—The love for three oranges—with another...
Reviewed by Alan Blyth in issue: 9/1992
Composer George Stiles and writer Anthony Drewe seem at home with the adventurous and imaginative in their musicals, as with...
Reviewed by jsnelson in issue: 8/2006
As in his second opera, Gilgamesh (1971-2), Per Norgard chose an ancient, legendary figure as the central character of his...
Reviewed in issue 12/1995
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.