Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
As their clarinettist Dieter Klocker describes in his notes, there was so much casual music-making in and around Salzburg in...
Reviewed by John Warrack in issue: 9/1990
My enthusiasm for the original issue of Gould's performance of Book I was considerable but by the time Book 2...
Reviewed by John Duarte in issue: 6/1989
A huge triumph for Glyndebourne, this. But before going on to particularise, perhaps we should tip some of our bouquets...
Reviewed by John Steane in issue: 5/2010
This new recording of Bach's four Orchestral Suites has many engaging qualities against which I must set one or two...
Reviewed by Nicholas Anderson in issue: 8/1992
One might call this delightful collection “Richard Strauss in Hungary”, so obvious – and nourishing – is the German master’s...
Reviewed in issue 4/1996
Cage idolised Satie and composed two reworkings of his music for solo violin – Cheap Imitation, based on Socrate, and...
Reviewed by Peter Dickinson in issue: 7/2003
Most of Cecile Ousset's recordings so far have been of music on the largest scale: Liszt, Rachmaninov, Mussorgsky, Prokofiev. She...
Reviewed by Michael Oliver in issue: 8/1986
Cellist Li-Wei Qin, born in Shanghai and educated in Australia and the UK, offers a highly accomplished Beethoven sonata cycle...
Reviewed by Harriet Smith in issue: 11/2011
We could use a new Ring on DVD. The versions by Levine and Boulez are ageing and variously unsatisfactory, while...
Reviewed by mscott rohan in issue: 4/2004
One thinks one knows: one thinks one remembers. I thought, for instance, that I'd remembered the NAbucco recording and would...
Reviewed in issue 9/1987
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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