Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
There's a powerful, brooding melancholy pervading every bar of Patrick Hadley's 1931 symphonic ballad, The Trees so High; indeed, the...
Reviewed by Andrew Achenbach in issue: 10/1993
This seems to be a spin-off from the five-LP Thill issue that was welcomed in November 1985 by JBS, who...
Reviewed by Lionel Salter in issue: 1/1989
Schoenberg’s Gurrelieder has such an implacably dark heart that it’s possible to feel – even in a performance as fine...
Reviewed by Arnold Whittall in issue: 7/2011
Although these are unquestionably performances of impeccable musicality and taste, I found that Goldberg's tendency to underplay his part at...
Reviewed by James Methuen-Campbell in issue: 4/1990
Finnish trumpeter Jouko Harjanne, the third major young Scandinavian virtuoso of the instrument to have emerged in recent years alongside...
Reviewed by Jonathan Freeman-Attwood in issue: 10/1996
Too long absent from the studios, Cristina Ortiz returns with a heady brew from what the booklet-note so aptly calls...
Reviewed by Bryce Morrison in issue: 2/2006
Although he wrote a good number of works for the cello throughout his career, Martinu’s three numbered sonatas date from...
Reviewed by Guy Rickards in issue: 13/2008
The virtually untapped gold mine of Alessandro Scarlatti's cantatas - there are more than 600, of which only a handful...
Reviewed by Stanley Sadie in issue: 5/2000
Tobias Hume (c1570-1645) was a professional soldier and a ‘gentleman’ (read amateur) composer, and virtuoso of the bass viol. His...
Reviewed by DuncanDruce in issue: 12/2004
The success of André Previn’s first opera has been remarkable‚ and I can remember few things like it in the...
Reviewed in issue 13/2001
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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