Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
The coupling, apt in one way, could be misleading in another. The sequence of opus numbers (85 and 86) would...
Reviewed in issue 11/1994
It is sad that this touching tribute to Leon Goossens, a superstar among oboists long before the term was invented,...
Reviewed by Edward Greenfield in issue: 12/2000
It all rather depends on your pocket. If you want medium-price, medium quality versions of three of Berlioz's major works—Romeo...
Reviewed by Lionel Salter in issue: 8/1993
A product of Oxbridge and London’s Guildhall School of Music (and a former member of King’s College Choir), Marcus Creed...
Reviewed by Andrew Achenbach in issue: 10/2009
The famous opening Charpentier Te Deum Fanfare sounds a bit thin - it ideally needs period instruments, but the Bizet...
Reviewed by Ivan March in issue: 6/2000
Whether it’s one’s first New Year Concert or 50th, there’s still something magical about the annual transmission from Vienna. It...
Reviewed by Andrew Lamb in issue: 3/2004
Only last month I welcomed a Capriccio disc of cantatas and songs by Telemann sung by Rene Jacobs. The programme...
Reviewed by Nicholas Anderson in issue: 12/1992
This satisfying compilation spans more than 40 years of Birtwistle‚ from a piano piece written in his midteens (Oockooing Bird)...
Reviewed in issue 11/2001
For their recordings of these works (2/98) DaCapo used a Danish orchestra and Welsh conductor (Arwel Hughes); here we have...
Reviewed in issue 4/1999
Callas's debut at Mexico City in the first performance of her Norma to have survived on records is every bit...
Reviewed by John Steane in issue: 5/2000
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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