Review - Paavo Järvi : The Complete Erato Recordings
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
In an interesting appendage to the main booklet note (an excellent essay on the Caprices by Jeremy Nicholas that has...
Reviewed by Rob Cowan in issue: 06/2021
Great music can take many different interpretations. But there are times when a distinguished artist seems to have wandered into...
Reviewed by Harriet Smith in issue: 06/2021
Howard Shelley has been on a winning streak with his Mendelssohn odyssey and the penultimate volume lives up to previous...
Reviewed by Michelle Assay in issue: 06/2021
When it comes to the organ music of César Franck, we are spoilt for choice; there is not so much...
Reviewed by Marc Rochester in issue: 06/2021
There are myriad good things to say about this album. Take the crystalline execution of the Fugue in D, BWV850:...
Reviewed by Mark Seow in issue: 06/2021
The best piece of advice I ever got when starting out as a broadcaster was from the great Michael Oliver,...
Reviewed by Jeremy Nicholas in issue: 06/2021
These three discs recorded by The Brahms Trio are sure to make some listeners ask: ‘What is Russian in this...
Reviewed by Marina Frolova-Walker in issue: 06/2021
The Baroque era was especially good at publishing works under titles that gave no hint of the treasures enclosed within...
Reviewed by Charlotte Gardner in issue: 06/2021
In his fascinating booklet note essay, David Gordon-Shute, Onyx Brass’s tuba player, explains how an envelope containing a small collection...
Reviewed by Christian Hoskins in issue: 06/2021
When I reviewed the Deuxième livre back in January 2020, I toyed with the idea of listening to it every...
Reviewed by Mark Seow in issue: 06/2021
Andrew Mellor revisits recordings the prolific Estonian conductor made originally for Virgin
Lindsay Kemp welcomes a box of Baroque delights from the American conductor
'This is a treasure trove of information, thoroughly recommended'
The tabletop ‘music centre’ may be just a distant memory, but where do you start when you want to...
Tim Parry explores the legacy of Jorge Bolet’s Decca recordings
Rob Cowan on collections devoted to two pianists, a cellist and a composer
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