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Review of BRAHMS Piano Trios (Trio Sõra)

BRAHMS Piano Trios (Trio Sõra)

I thoroughly enjoyed Trio Sōra’s nimble, clear-textured traversal of Beethoven’s six piano trios (Naïve, 12/20), although I found a few...

Reviewed by Andrew Farach-Colton in issue: 06/2024

Review of Brahms & Contemporaries, Vol 1

Brahms & Contemporaries, Vol 1

The Kaleidoscope Chamber Collective, the brainchild of violinist Elena Urioste and pianist Tom Poster, has justified its name in several...

Reviewed by Peter J Rabinowitz in issue: 06/2024

Review of BORTKIEWICZ; KOSENKO; SKORYK 'Ukrainian Masters'

BORTKIEWICZ; KOSENKO; SKORYK 'Ukrainian Masters'

Only the first panel of this absorbing triptych is advertised as a first recording, but Viktor Kosenko’s Sonata of 1927...

Reviewed by Peter Quantrill in issue: 06/2024

Review of VIVALDI Le Quattro Stagioni (Julien Chauvin; Luka Faulisi)

VIVALDI Le Quattro Stagioni (Julien Chauvin; Luka Faulisi)

‘Yes, “another” recording of Vivaldi’s Four Seasons!’ cries Le Concert de la Loge’s violinist director Julien Chauvin at the top...

Reviewed by Charlotte Gardner in issue: 06/2024

Review of SHOSTAKOVICH Symphony No 13 PÄRT De profundis (Storgårds)

SHOSTAKOVICH Symphony No 13 PÄRT De profundis (Storgårds)

Shostakovich’s Thirteenth is sonically the most austere of all his symphonies: it features a bass soloist, a male choir and...

Reviewed by Marina Frolova-Walker in issue: 06/2024

Review of SCHUMANN Symphonies Nos 1-4 (Janowski)

SCHUMANN Symphonies Nos 1-4 (Janowski)

Reviewing Marek Janowski’s Beethoven cycle on Pentatone (2/21), Andrew Farach-Colton drew attention to its consistently clear articulation, ‘striking lack of...

Reviewed by Peter Quantrill in issue: 06/2024

Review of Soosan Lolavar x Ruthless Jabiru

Soosan Lolavar x Ruthless Jabiru

If ‘Soosan Lolavar x Ruthless Jabiru’ initially sounds like the title of a gangsta rap album, nothing could be further...

Reviewed by Pwyll ap Siôn in issue: 06/2024

Review of LIGETI Concertos and Chamber Music (Bleuse)

LIGETI Concertos and Chamber Music (Bleuse)

In the year of his centenary and with its own half-century fast approaching, it made sense for Ensemble Intercontemporain to...

Reviewed by Richard Whitehouse in issue: 06/2024

Gramophone Classical Music Awards Winner
Review of LACHENMANN My Melodies

LACHENMANN My Melodies

Lachenmann’s title is a playful tease in the spirit of the toy frogs who pop up in his 1983 ensemble...

Reviewed by Peter Quantrill in issue: 06/2024

Review of HOWARD Orchestral Works (Seal)

HOWARD Orchestral Works (Seal)

There has not previously been a release devoted to Dani Howard (b1993). Fluent across the broad range of genres (witness...

Reviewed by Richard Whitehouse in issue: 06/2024


 

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