Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
A product of the Curtis Institute and still in her early twenties‚ Leila Josefowicz is no stranger to the TV...
Reviewed by kYlzrO1BaC7A in issue: 12/2001
Dvorak's D minor Quartet starts so beautifully that one wonders why one doesn't hear it more often. It doesn't quite...
Reviewed in issue 9/1986
No Vaughan Williams enthusiast can afford to be without these magnificent historical recordings, for despite dating from December 1952 and...
Reviewed by Michael Stewart in issue: 7/1991
Here, even more than in his first collection (3/94), Matthias Bamert makes one realise that Stokowski’s Bach orchestrations are far...
Reviewed by Ivan March in issue: 5/2005
The spectacular combination of Giovanni Gabrieli, the choir of King's College, Cambridge, a first-rate ensemble of brass players and the...
Reviewed in issue 2/1988
The Faure Violin Concerto, and a ''world premiere recording''! I was ashamed to know nothing whatever of this work, which...
Reviewed by Christopher Headington in issue: 3/1990
The subtle inflections Jeffrey Segal brings to the trumpet’s only genuine Classical concertos, the Haydn and Hummel, is just what...
Reviewed by Jonathan Freeman-Attwood in issue: 3/2005
The album title is that of a sixteenth-century collection of ballad poems and tunes, but those recorded here are taken...
Reviewed by John Duarte in issue: 12/1997
For Michael Curtiz’s 1941 big-screen adaptation of Jack London’s The Sea Wolf (starring Edward G Robinson as Wolf Larsen, the...
Reviewed by Andrew Achenbach in issue: 11/2005
Tristan and Isolde sharing a delirious ‘Liebestod’ while ascending to a blazing Valhalla? If you occasionally entertain fantasies in which...
Reviewed by Arnold Whittall in issue: 10/2003
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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