Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Gli uccelli, better known as The birds is a wholly delightful aviary of orchestral colour and as presented here by...
Reviewed by Ivan March in issue: 3/1992
‘They are the mirrors of his soul,’ said pianist William Murdoch in 1933. His description of these 20 works of...
Reviewed by Nalen Anthoni in issue: 7/2006
Haitink's Philips recording of Scheherazade dominated the LP catalogue in the 1970s and it remains a refreshingly satisfying account in...
Reviewed by Ivan March in issue: 3/1990
Of the 10 releases in this series I have reviewed in Gramophone, this is by far and away the best....
Reviewed in issue 7/2001
Stephen Hough stakes no claims to the fastest, slowest, loudest, softest, or most anything Liszt B minor Sonata on record....
Reviewed by David Fanning in issue: 2/2001
There is a rich legacy of Czech organ music which has never really impinged itself on the outside world. Several...
Reviewed by Marc Rochester in issue: 6/2008
The most interesting of these three Furtwangler reissues comes on the new Novello Legend label with the coupling of a...
Reviewed by Richard Osborne in issue: 4/1990
The rush to record Handel’s operas continues with this world premiere release of the opening opera of the Royal Academy...
Reviewed by Lindsay Kemp in issue: 11/1996
These fine recordings have been together on CD before, but this is a new remastering. The sound is certainly uncommonly...
Reviewed by DuncanDruce in issue: 1/2003
The stage is set immediately by a splendid performance of Balfour Gardiner's Overture to a Comedy, a brilliant and none...
Reviewed in issue 9/1991
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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