Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
In which Philip Glass meets the vernacular and finds salvation. Or almost. But first, a few necessary points of clarification....
Reviewed by kshadwick in issue: 5/1993
The 50th anniversary of Prokofiev’s death in 2003 generated any number of rarities on disc. It was, however, the familiar...
Reviewed by David Gutman in issue: 5/2006
This extended selection from Prokofiev's Cinderella is well documented by Richard Freed who, besides providing an excellent background note on...
Reviewed by Ivan March in issue: 1/1986
Callas admirers and Rossini collectors of a certain vintage will know all about this recording; where newcomers are concerned‚ it...
Reviewed in issue 13/2002
Orfeo apart, Gluck's operas have been poorly treated by the gramophone. The later, Paris version of Alceste has received only...
Reviewed by Alan Blyth in issue: 9/1983
After “one memorable day of rehearsal”, as the introductory note puts it, Martha Argerich and a group of friends recorded...
Reviewed by Joan Chissell in issue: 1/1996
This is the first in yet another series devoted to ''the forgotten, lost and prohibited music of European composers in...
Reviewed in issue 10/1994
In an age where great, good, bad and indifferent recordings rub shoulders in a chaotic market place, Piotr Anderszewski’s playing...
Reviewed by Bryce Morrison in issue: 8/2004
The F minor Sonata of Op. 2 goes quite well on this Schantz piano of 1797, but I am not...
Reviewed by Stephen Plaistow in issue: 9/1985
It is good to have William Christie’s refined understanding of baroque music applied to a Handel opera. He has of...
Reviewed by Stanley Sadie in issue: 9/1996
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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