Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
At the end of the development section of the Allegro vivace of Op 31 No 1, Beethoven presents a wonderful...
Reviewed by Jed Distler in issue: 04/2022
Julia Severus introduced Adolf Barjansky (1851-1900) to these pages in September 2020 with her first volume of premiere recordings. That...
Reviewed by Jeremy Nicholas in issue: 04/2022
Technically, this album is difficult to fault. Frank Peter Zimmermann’s playing of the Preludio of Bach’s Partita No 3 in...
Reviewed by Mark Seow in issue: 04/2022
Jean Rondeau’s Goldberg Variations clocks in at 107 minutes, observing all the repeats, including those in the Aria da capo....
Reviewed by Jed Distler in issue: 04/2022
The idea for this disc arose from these performers’ shared love of Janáček’s music. Laura van der Heijden – 2012’s...
Reviewed by Guy Rickards in issue: 04/2022
Principal clarinettist of the Scottish Chamber Orchestra, Maximiliano Martín joins forces with pianist Scott Mitchell for what is more or...
Reviewed by Tim Ashley in issue: 04/2022
Fenella Humphreys conveyed tangible identity with Sibelius through her recent accounts of the Violin Concerto and all six Humoresques (8/21),...
Reviewed by Richard Whitehouse in issue: 04/2022
Readers may remember the perky pair of Mozart violin concertos Francesco Dego released last year with Roger Norrington and the...
Reviewed by Charlotte Gardner in issue: 04/2022
It’s interesting, albeit unsurprising, that Mendelssohn, despite his Violin Concerto in E minor of 1844 sitting as one of the...
Reviewed by Charlotte Gardner in issue: 04/2022
Mendelssohn was famously acclaimed (by Schumann) as ‘the Mozart of the 19th century’ and (by Liszt) as ‘Bach reborn’. Both...
Reviewed by Richard Wigmore in issue: 04/2022
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
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