Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
This is the first of Leon McCawley’s Haydn volumes to come my way, though by no means the first of...
Reviewed by Harriet Smith in issue: 04/2022
The idea of a musical refrain (a recurring theme, chorus or ‘hook’) unifies the works on this album, making for...
Reviewed by Jed Distler in issue: 04/2022
Italian lutenist Simone Vallerotonda, who admits philosophy ‘has been his passion and salvation’, shares with fellow gut-pluckers such as Lukas...
Reviewed by William Yeoman in issue: 04/2022
Although occasionally veering towards sobriety, the pianist, composer and critic Peter Dickinson, a fine musician with a wealth of experience,...
Reviewed by Rob Cowan in issue: 04/2022
Is it a bird? Is it a plane? No, it’s Bach’s Well-Tempered Clavier Book 1, with all its minor-key preludes...
Reviewed by Michelle Assay in issue: 04/2022
Unlike his more numerous Preludes and less numerous Études, Scriabin’s Mazurkas are not spread evenly across his career, being concentrated...
Reviewed by David Fanning in issue: 04/2022
A great deal of care has gone into the creation of this two-disc Scarlatti recital. That’s evident from the detailed...
Reviewed by Harriet Smith in issue: 04/2022
You will remember Valentina Lisitsa as the Ukrainian pianist who broke the mould by establishing an international career courtesy of...
Reviewed by Jeremy Nicholas in issue: 04/2022
Fans of Jascha Heifetz will have no trouble recognising Flausino Vale’s ‘Ao Pé da Fogueira’, the 15th of his Characteristic...
Reviewed by Rob Cowan in issue: 04/2022
Feldman’s single-movement late works are monumental in length, culminating in the six hour-long Second String Quartet (find a comfortable seat...
Reviewed by Liam Cagney in issue: 04/2022
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
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