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Review of WAGNER Der fliegende Holländer (Lyniv)

WAGNER Der fliegende Holländer (Lyniv)

It’s a sure-fire bet that, in our age of ‘deconstructed’ stagings, two of the first items to disappear from view...

Reviewed by Mike Ashman in issue: 09/2022

Review of VERDI La traviata (Oren)

VERDI La traviata (Oren)

The urgency to record Lisette Oropesa in La traviata was inevitable after her breakthrough 2015 role debut as Violetta at...

Reviewed by David Patrick Stearns in issue: 09/2022

Review of SACRATI La finta pazza (Alarcón)

SACRATI La finta pazza (Alarcón)

‘What Song the Syrens sang’, wrote Sir Thomas Browne, ‘or what name Achilles assumed when he hid himself among women,...

Reviewed by Richard Lawrence in issue: 09/2022

Review of RAMEAU Les fêtes d’Hébé (Vashegyi)

RAMEAU Les fêtes d’Hébé (Vashegyi)

A quarter of a century since William Christie’s iconic 1997 Erato recording, an alternative take on Les fêtes d’Hébé is...

Reviewed by David Vickers in issue: 09/2022

Gramophone Classical Music Awards Winner
Review of HASSE Caio Fabbricio (Cunningham)

HASSE Caio Fabbricio (Cunningham)

‘GF Handel’, the booklet confidently proclaims, with ‘JA Hasse’ nestling in smaller type below. Don’t get too excited, though. This...

Reviewed by Richard Wigmore in issue: 09/2022

Review of BRITTEN The Turn of the Screw (Glassberg)

BRITTEN The Turn of the Screw (Glassberg)

It wasn’t until almost 40 years after the opera’s Venice premiere and the composer’s own 1954 recording that The Turn...

Reviewed by Mike Ashman in issue: 09/2022

Gramophone Classical Music Awards Winner
Review of BOITO Nerone (Kaftan)

BOITO Nerone (Kaftan)

The gestation period for Boito’s Nerone must be one of the longest in all opera. He started planning the work...

Reviewed by Hugo Shirley in issue: 09/2022

Review of Isabel Bayrakdarian: La zingarella - Through Romany Songland

Isabel Bayrakdarian: La zingarella - Through Romany Songland

Isabel Bayrakdarian has carved out quite a niche with her recorded catalogue, defined by smart programming ideas. There was an...

Reviewed by Mark Pullinger in issue: 09/2022

Review of Revoiced

Revoiced

The combination of small-scale choir and saxophone quartet is a surprising one, though it would take a particularly crabbed purist...

Reviewed by Fabrice Fitch in issue: 09/2022

Review of John Matthew Myers: Desiderium

John Matthew Myers: Desiderium

Rarely does a tenor-voice recital succeed while so consciously lacking – perhaps avoiding – the ‘wow’ factor. The programme in...

Reviewed by David Patrick Stearns in issue: 09/2022


 

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