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Review of Lisette Oropesa: French Bel Canto Arias

Lisette Oropesa: French Bel Canto Arias

For her second solo album, Lisette Oropesa combines her love for both the French language and Italian music in an...

Reviewed by Tim Ashley in issue: 11/2022

Review of CATALANI La Wally (Orozco-Estrada)

CATALANI La Wally (Orozco-Estrada)

Despite the fame of the title-character’s ‘Ebben? Ne andrò lontana’, Alfredo Catalani’s La Wally remains a rarity on disc –...

Reviewed by Hugo Shirley in issue: 11/2022

Review of The Psalms (Choir of St John's College, Cambridge)

The Psalms (Choir of St John's College, Cambridge)

If I could take only a few forms of music to a desert island, the psalms sung to Anglican Chant...

Reviewed by Andrew Mellor in issue: 11/2022

Review of Vivaldi's Women

Vivaldi's Women

La Serenissma’s latest delve into the Vivaldi archives has thrown up a programme full of unfamiliar textures, all helping to...

Reviewed by Alexandra Coghlan in issue: 11/2022

Review of STEELANT 'Antwerp Requiem ca. 1650'

STEELANT 'Antwerp Requiem ca. 1650'

Although Philippe van Steelant (1611-70) isn’t a household name, his pedigree is hardly insignificant: a scion of a family of...

Reviewed by Fabrice Fitch in issue: 11/2022

Review of SILVESTROV Requiem Für Larissa (Mustonen)

SILVESTROV Requiem Für Larissa (Mustonen)

This is not the first recording of Silvestrov’s Requiem, written in memory of his wife, Larissa Bondenko – it has...

Reviewed by Ivan Moody in issue: 11/2022

Review of SCHUBERT Schwanengesang (Ian Bostridge)

SCHUBERT Schwanengesang (Ian Bostridge)

Rest assured that Ian Bostridge is not nearly as wizened, and the late Lars Vogt wasn’t nearly so eagle-eyed, as...

Reviewed by David Patrick Stearns in issue: 11/2022

Review of MONTEVERDI Selva Morale e Spirituale (Koetsveld)

MONTEVERDI Selva Morale e Spirituale (Koetsveld)

Monteverdi’s monumental last anthology Selva morale e spirituale (Venice, 1641) contains nearly 40 different sacred and spiritual pieces. Most were...

Reviewed by David Vickers in issue: 11/2022

Review of HILDEGARD 'Sacred Chants' (Grace Davidson)

HILDEGARD 'Sacred Chants' (Grace Davidson)

Hildegard of Bingen is now by a massive margin the most often-recorded composer from the years before Byrd and Monteverdi...

Reviewed by David Fallows in issue: 11/2022

Review of GERVAIS Grands Motets pour Louis XV

GERVAIS Grands Motets pour Louis XV

His opera Hypermnestre may be pronounced ‘the best of the Regency period’ by Grove and others, and the composer himself...

Reviewed by Alexandra Coghlan in issue: 11/2022


 

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