Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Violin and electronics has become a much favoured medium: Pierre Boulez’s magisterial Anthèmes II comes to mind but, as these...
Reviewed by kYlzrO1BaC7A in issue: 2/2006
Sessions is slowly making headway—the first five symphonies are available in the British catalogue now and I welcomed, with some...
Reviewed by Peter Dickinson in issue: 2/1995
Till now I had thought of St Louis only as the birthplace of T. S. Eliot, but this notably well...
Reviewed by Richard Osborne in issue: 1/1985
Apart from the ever-popular Piano Concerto there seems little room in today's concert programmes for Grieg's gently nostalgic, beautifully crafted...
Reviewed in issue 1/1987
The original 1981 version of Svanda (or Schwanda, I suppose, since it is sung here in German) comes up as...
Reviewed by John Warrack in issue: 3/1989
The principal value of this release is that it chronicles the performing style of a gifted Canadian string quartet on...
Reviewed by Rob Cowan in issue: 3/2001
Chopin and Mussorgsky make odd bedfellows but Marilyn Frascone’s disc brings them into some form of alliance. Indeed, it is...
Reviewed by Bryce Morrison in issue: 13/2008
First, some practical points. Such is the dramatic improvement in modern technology over the past ten years that this digitally...
Reviewed by Robert Layton in issue: 2/1986
In the musical climate of today it is hard to believe the upheaval and opposition aroused in the mid-1930s by...
Reviewed by Lionel Salter in issue: 6/1991
Les paladins was composed towards the end of Rameau’s life. It was not a success: premiered at the Paris Opéra...
Reviewed by Richard Lawrence in issue: 2/2011
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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