Review - David Oistrakh: The Warner Remastered Edition – The Complete Columbia & HMV Recordings
Rob Cowan on a revealing collection of recordings by the Russian violinist David Oistrakh
This account of Les noces marks the recording debut of the complete work in its 1919 instrumentation that was supposedly...
Reviewed by Richard Whitehouse in issue: 04/2023
For her second recording for Sony, Rachel Willis-Sørensen opts for Strauss, the composer with whom she is probably most closely...
Reviewed by Tim Ashley in issue: 04/2023
‘Mozart Requiem*’, says the cover, the asterisk leading to the rubric ‘Version Paris, 1804’. Thirteen years after Mozart’s death and...
Reviewed by David Threasher in issue: 04/2023
The Ukrainian composer Galina Grigorjeva (b1962) has always had a natural affinity for the voice, and in particular choral writing....
Reviewed by Ivan Moody in issue: 04/2023
Despite herself, Nadia Boulanger (1887-1979) is increasingly established as a composer. She was known to describe her youthful pieces as...
Reviewed by David Patrick Stearns in issue: 04/2023
Margaret Bonds (1913 72) studied with Florence Price at high school (she also had tuition later from Roy Harris and...
Reviewed by Guy Rickards in issue: 04/2023
Bach drafted an annotated genealogy of his extensive musical family in about 1735 and he had a collection of mostly...
Reviewed by David Vickers in issue: 04/2023
Recent releases such as song-cycles by Robert Hugill (Navona, 1/18) or the Celtic-inspired miscellany ‘Between Earth and Sea’ (Tyˆ Cerdd)...
Reviewed by Richard Whitehouse in issue: 04/2023
Anthony Romaniuk follows up his brilliant ‘Bells’ (11/20) with ‘Perpetuum’, another stimulating and imaginatively curated programme of short pieces and...
Reviewed by Jed Distler in issue: 04/2023
So all-embracing was Chopin’s influence on piano composition that few composers writing in the idiom (rather than that of Schumann,...
Reviewed by Jeremy Nicholas in issue: 04/2023
Rob Cowan on a revealing collection of recordings by the Russian violinist David Oistrakh
In our current dark times we need Debussy as much as ever. And this book is a perfect way in if you...
Rob Cowan’s monthly survey of historic reissues and archive recordings
Rob Cowan on the legacies of a trio of conductors in the music in which they excelled
Rob Cowan dives into Warner’s second volume of Wolfgang Sawallisch’s recordings
It’s hard to think of another book about a specific instrument that goes quite as deep as this
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