Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
In the normal way, a certain logic would exist in a Bach-loving nationalist composer progressing from transcribing some of the...
Reviewed by Lionel Salter in issue: 12/1987
This release appears to overlap with the first recording of Ballet mecanique under Maurice Peress on Music Masters (4/94) but...
Reviewed by Peter Dickinson in issue: 12/1996
Last September, just less than a year after his sensational London recital, the veteran American-born Russian violinist Oscar Shumsky, was...
Reviewed in issue 2/1984
Singers must sometimes feel that they can't win. When they adhere scrupulously to the score they are accused of literalism,...
Reviewed in issue 2/1988
With 21 versions now in the catalogue, several available in more than one coupling, Mozart's Dissonance Quartet, K465, currently ties...
Reviewed by Richard Wigmore in issue: 11/1991
The front cover gives little hint of what the disc might contain since the title simply states “A procession of...
Reviewed by Malcolm Riley in issue: 11/2009
This fine disc is the Riga Philharmonic’s – and Conifer’s – second foray into the music of the Latvian Peteris...
Reviewed in issue 12/1996
These two reissues perhaps offer the two extremes of Dido interpretation. Raymond Leppard with the English Chamber Orchestra gives a...
Reviewed by David Fallows in issue: 11/1991
Despite its title, this debut disc from the 29-strong amateur Dutch vocal ensemble Cantatrix suffers from a lack of contrast....
Reviewed by Malcolm Riley in issue: 12/2010
This Christmas disc ranges far and wide through the renaissance, from Dufay to Praetorius. The guiding thread is the transformation...
Reviewed in issue 12/1997
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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