Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Debussy as usual put his finger on it, asking a mutual friend to tell Déodat de Séverac that his music...
Reviewed by rnichols in issue: 5/2004
It has taken, incredibly, five years for Sir John Pritchard's Idomeneo to appear, and the opera has come a long...
Reviewed by hfinch in issue: 4/1988
This disc surveys Bernd Alois Zimmermann’s rarely heard orchestral compositions from the years 1950 to 1958 – years which saw...
Reviewed by Arnold Whittall in issue: 2/2003
Bartók began his series of 44 duos in response to a publisher’s request for some elementary violin pieces. He based...
Reviewed by Bryce Morrison in issue: 4/2010
The Quartet for oboe, violin, cello and piano is a find, a highly attractive piece in the busy yet unfussy...
Reviewed by Robert Layton in issue: 2/1997
The organ in Liverpool's Anglican Cathedral is not an easy beast for recording engineers to tame. The resonance is considerable...
Reviewed by Ivan March in issue: 1/1990
The Bartok concerto is palpably immature, the Berg all too presciently valedictory, yet it makes sense to couple them on...
Reviewed by Arnold Whittall in issue: 10/1984
Giuseppe Martucci's neglect is due to his comparatively early death (in 1909, at the age of 53), to the fact...
Reviewed by Michael Oliver in issue: 7/1988
Here is yet another of the new generation of Lieder artists recorded by Capriccio. Lorenz, although he is already 43...
Reviewed by Alan Blyth in issue: 9/1987
Peter Cornelius is overdue for a reappraisal, especially in England. Though the scores of his operas Gunlod and Der Cid...
Reviewed by John Warrack in issue: 4/1990
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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