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Review of Séverac Piano Music

Séverac Piano Music

Debussy as usual put his finger on it, asking a mutual friend to tell Déodat de Séverac that his music...

Reviewed by rnichols in issue: 5/2004

Review of Mozart Idomeneo

Mozart Idomeneo

It has taken, incredibly, five years for Sir John Pritchard's Idomeneo to appear, and the opera has come a long...

Reviewed by hfinch in issue: 4/1988

Review of Zimmermann Early Orchestral Works

Zimmermann Early Orchestral Works

This disc surveys Bernd Alois Zimmermann’s rarely heard orchestral compositions from the years 1950 to 1958 – years which saw...

Reviewed by Arnold Whittall in issue: 2/2003

Review of Bartók 44 Violin Duos

Bartók 44 Violin Duos

Bartók began his series of 44 duos in response to a publisher’s request for some elementary violin pieces. He based...

Reviewed by Bryce Morrison in issue: 4/2010

Review of Martinu Chamber Works

Martinu Chamber Works

The Quartet for oboe, violin, cello and piano is a find, a highly attractive piece in the busy yet unfussy...

Reviewed by Robert Layton in issue: 2/1997

Review of Organ Recital

Organ Recital

The organ in Liverpool's Anglican Cathedral is not an easy beast for recording engineers to tame. The resonance is considerable...

Reviewed by Ivan March in issue: 1/1990

Review of Bartók & Berg Violin Concertos

Bartók & Berg Violin Concertos

The Bartok concerto is palpably immature, the Berg all too presciently valedictory, yet it makes sense to couple them on...

Reviewed by Arnold Whittall in issue: 10/1984

Review of Italian Vocal Music

Italian Vocal Music

Giuseppe Martucci's neglect is due to his comparatively early death (in 1909, at the age of 53), to the fact...

Reviewed by Michael Oliver in issue: 7/1988

Review of Schubert Schwanengesang

Schubert Schwanengesang

Here is yet another of the new generation of Lieder artists recorded by Capriccio. Lorenz, although he is already 43...

Reviewed by Alan Blyth in issue: 9/1987

Review of Cornelius Choral Works

Cornelius Choral Works

Peter Cornelius is overdue for a reappraisal, especially in England. Though the scores of his operas Gunlod and Der Cid...

Reviewed by John Warrack in issue: 4/1990


 

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