Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
“If musique and sweet poetrie agree,” begins Barnfield’s sonnet. Thus the keynote for this collection of songs and lute solos...
Reviewed by William Yeoman in issue: 4/2007
Restrained, elegiac and with an almost therapeutic consistency of pulse, “The Last Days” (the album’s generic title) suggests a combination...
Reviewed in issue 2/1996
With no shortage of fine versions of this pairing from which to choose, EMI must rely on the undoubted selling...
Reviewed by Jeremy Nicholas in issue: 11/2005
This is a fascinating collection—a composer's source-book and an introduction to one of the leading personalities in Australian music. A...
Reviewed by Peter Dickinson in issue: 3/1992
No doubt this concert, recorded at Graz’s elegant Stefaniensaal, is aimedprimarily at Bartoli-philes, who will not be disappointed; it’s predictably...
Reviewed by mscott rohan in issue: 6/2003
Laurent Korcia is not only an uncommonly accomplished violinist but also an uncommonly original programmer. One would not normally expect...
Reviewed by Andrew Lamb in issue: 2/2007
I remember with great affection the Schubert symphony cycle that Menuhin recorded for HMV with the Bath Festival Chamber Orchestra...
Reviewed by Richard Osborne in issue: 4/1996
Although it is a rarity in the concert hall, the Chausson Concert has been fairly well served by the gramophone....
Reviewed by Robert Layton in issue: 3/1987
Because ours is a magazine with a primarily musical interest, comments on this series have mostly had to do with...
Reviewed in issue 4/1999
It’s a pleasant coincidence‚ hearing two identical couplings played by two quartetsinresidence at London’s Wigmore Hall (the Sùkampa were there...
Reviewed in issue 5/2002
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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