Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
The composer tells us (in a rather self-indulgent insert-note) that his Bassoon Concerto was inspired by the 'haunting melancholy' of...
Reviewed by Ivan March in issue: 2/2000
Thankfully, today’s performers seem to have forgotten about the false characterisation, prevalent 50 years ago, of Mendelssohn as a composer...
Reviewed by DuncanDruce in issue: 3/2005
In a convincingly argued note Christopher Hogwood points out that the Bach household was exceptional in always having several keyboard...
Reviewed by Lionel Salter in issue: 8/1996
Despite the deletion of the Serafin recording with Gobbi, Callas and di Stefano (Columbia mono 33CXS1324/6, 2/56), Rigoletto remains well...
Reviewed by Richard Osborne in issue: 11/1985
As I pointed out in my review of Vol. 1 (6/94), one of the attractions of Jando's Haydn sonata series...
Reviewed in issue 8/1994
A favourite pupil and interpreter of Beethoven (who once contemplated going to live in his house) and the teacher of...
Reviewed by Lionel Salter in issue: 12/1985
Varnay briefly undertook Salome at the start of the 1950s, relinquishing it when she realised (rightly) that her large, refulgent...
Reviewed by Alan Blyth in issue: 10/2000
Alan Hovhaness bucked most of the late 20th century’s modernist trends, which may explain why his music doesn’t sound all...
Reviewed by Andrew Farach-Colton in issue: 11/2005
Among the first flute concertos ever written, Vivaldi’s Op 10 are also among the most imaginative. With vivid descriptive writing...
Reviewed by Lindsay Kemp in issue: 6/2006
Consortium Classicum’s Mozart series continues to provide fascinating and entertaining glimpses into the byways of classical music. The bassoonist J....
Reviewed by DuncanDruce in issue: 10/1999
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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