Review - David Oistrakh: The Warner Remastered Edition – The Complete Columbia & HMV Recordings
Rob Cowan on a revealing collection of recordings by the Russian violinist David Oistrakh
As has been remarked in these pages before, Atterberg’s early Second Symphony (1911-12) is tricky to balance. Initially a Romantic...
Reviewed by Guy Rickards in issue: 03/2014
Hendrik Andriessen (father of the better-known Louis) is a natural target for the attentions of CPO and the excellent Netherlands...
Reviewed by David Fanning in issue: 03/2014
The ‘three’ in question are Haydn, Mozart and – courtesy of a large chunk from Il maestro di cappella –...
Reviewed by Richard Wigmore in issue: 03/2014
These three BBC episodes of Great Characters in Opera may be old-school in terms of staging and appearance but they...
Reviewed by Mike Ashman in issue: 03/2014
If you got stuck on the title, as I did, the list of characters provides a clue: it’s ‘The Golden...
Reviewed by Richard Lawrence in issue: 03/2014
With some fine recordings of Verdi’s fifth opera already in the catalogue, this new release from the Austrian Radio archives...
Reviewed in issue 03/2014
In a bold move, the booklet essay compares Franz Schreker’s Der Schatzgräber (first performed in 1920) with Richard Strauss’s Die...
Reviewed by Arnold Whittall in issue: 03/2014
Teodor Currentzis is the artistic director of the opera house in Perm, on the edge of Siberia. As reported in...
Reviewed by Richard Lawrence in issue: 03/2014
Having primarily made her name in lyric Mozart and Strauss operas, Renée Fleming has been returning to the bel canto...
Reviewed by David Patrick Stearns in issue: 03/2014
The London Symphony Orchestra’s concert performances of The Turn of the Screw in April last year sadly turned into a...
Reviewed by Richard Fairman in issue: 03/2014
Rob Cowan on a revealing collection of recordings by the Russian violinist David Oistrakh
In our current dark times we need Debussy as much as ever. And this book is a perfect way in if you...
Rob Cowan on the legacies of a trio of conductors in the music in which they excelled
Rob Cowan’s monthly survey of historic reissues and archive recordings
Rob Cowan dives into Warner’s second volume of Wolfgang Sawallisch’s recordings
It’s hard to think of another book about a specific instrument that goes quite as deep as this
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