Review - David Oistrakh: The Warner Remastered Edition – The Complete Columbia & HMV Recordings
Rob Cowan on a revealing collection of recordings by the Russian violinist David Oistrakh
The early 19th century couldn’t get enough of Beethoven’s Septet, to the composer’s mounting irritation (‘too much sentimentality and too...
Reviewed by Richard Wigmore in issue: 07/2023
The sounds of gamelan instruments were first heard in the US at the Chicago Exposition in 1893, and it’s close...
Reviewed by Pwyll ap Siôn in issue: 07/2023
You need your wits about you and the volume up to catch the head-motif opening Webern’s String Quartet of 1905,...
Reviewed by Peter Quantrill in issue: 07/2023
Who is this Englishman? Well, it’s Nicola Matteis – not the Italian violinist-composer we usually hear but rather his son...
Reviewed by Lindsay Kemp in issue: 07/2023
Who was it, again, who said that all music was either fundamentally symphonic or fundamentally balletic? In any case, there...
Reviewed by Richard Bratby in issue: 07/2023
Vaughan Williams came late to film composing. By 1940, when he started on his first such score, for 49th Parallel,...
Reviewed by Guy Rickards in issue: 07/2023
Arguably, both recordings here are firsts, as although Skalkottas’s Violin Concerto (1937 38) has appeared on CD before, this is...
Reviewed by Guy Rickards in issue: 07/2023
The Double Concerto for violin and cello is the second work that Philip Sawyers has composed for the prodigiously gifted...
Reviewed by Guy Rickards in issue: 07/2023
Massimiliano Neri cuts an interesting figure among the ranks of 16th-century Venetian composers. He was born around 1620 to a...
Reviewed by Charlotte Gardner in issue: 07/2023
‘You gotta get a gimmick’, Louise is advised in Gypsy. In opera-directing circles, it’s sometimes disparagingly called a Konzept. The...
Reviewed by Mark Pullinger in issue: 07/2023
Rob Cowan on a revealing collection of recordings by the Russian violinist David Oistrakh
In our current dark times we need Debussy as much as ever. And this book is a perfect way in if you...
Rob Cowan’s monthly survey of historic reissues and archive recordings
Rob Cowan on the legacies of a trio of conductors in the music in which they excelled
Rob Cowan dives into Warner’s second volume of Wolfgang Sawallisch’s recordings
It’s hard to think of another book about a specific instrument that goes quite as deep as this
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