Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
It was brave of Weilerstein to sandwich Carter between Elgar and Bruch, but there are connections with Barenboim. He gave...
Reviewed by Peter Dickinson in issue: 02/2013
Rob Cowan rightly heaped praise upon this team’s two previous Dvořák symphony anthologies (8/12 and 11/12) and now it’s my...
Reviewed by Andrew Achenbach in issue: 02/2013
As with José Serebrier’s and Marin Alsop’s versions of the Sixth Symphony, Gerard Schwarz observes the important first-movement exposition repeat....
Reviewed by Rob Cowan in issue: 02/2013
Anima Eterna’s ‘instruments of the period’ policy has come a long way since those early days in the 1980s when...
Reviewed by Geoffrey Norris in issue: 02/2013
Given the number of recordings of Britten’s Cello Symphony already out there, it is good that these latest two should...
Reviewed by Richard Fairman in issue: 02/2013
Hard to believe, I know, but the high-profile September 1971 Edinburgh Festival concert from which the contents of this DVD...
Reviewed by Andrew Achenbach in issue: 02/2013
‘He is a most sympathetic conductor, never clever or perfunctory, never self-conscious…it’s all there, GENUINE, enough of it for other...
Reviewed by Richard Osborne in issue: 02/2013
It would be difficult to imagine two Serenades that inhabit such utterly different worlds, the First mostly carefree and ebullient,...
Reviewed by Rob Cowan in issue: 02/2013
‘A gross enormity, an immense wounded snake unwilling to die, but writhing in its last agonies,’ said a critic of...
Reviewed by Nalen Anthoni in issue: 02/2013
There are three hits here on one CD. The Cello Sonata dates from 1932, when Barber was a student at...
Reviewed by Peter Dickinson in issue: 02/2013
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
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