Replay (December 2024): Edith Peinemann, The French Piano School, Géza Anda & Kolisch String Quartet
Rob Cowan’s monthly survey of historic reissues and archive recordings
Shostakovich’s Seventh Symphony has, notoriously, suffered wild swings of opinion, from adulation at the time of its performance, the Siege...
Reviewed by John Warrack in issue: 02/2013
Composers throughout history have revamped and updated earlier masterpieces in their own image. Here we have Max Richter’s recomposed version...
Reviewed by Jed Distler in issue: 02/2013
At the beginning of Offenbach’s Orpheus in the Underworld, the title-character torments Eurydice by threatening to play his tedious, hour-plus...
Reviewed by David Patrick Stearns in issue: 02/2013
Captivated by clarinets he had heard in Mannheim in 1777 en route to Paris, Mozart used them for the first...
Reviewed by Nalen Anthoni in issue: 02/2013
Did Mozart suffer from teenage angst? This is not, I must admit, a question that had overly vexed me until...
Reviewed by Harriet Smith in issue: 02/2013
Among John McCabe’s catalogue of concertos are several double concertos, the most recent being Les martinets noirs (‘Swifts’, 2003), a...
Reviewed by Guy Rickards in issue: 02/2013
First, the bad news. The problems in recorded choral sound that plagued earlier instalments in Markus Stenz’s Mahler cycle with...
Reviewed by K Smith in issue: 02/2013
The first few pages tell you that this is unlikely to be a Mahler Sixth to challenge or to intimidate....
Reviewed by Edward Seckerson in issue: 02/2013
Though there are myriad recordings of Liszt’s four best-known works for piano and orchestra, to find all four on the...
Reviewed by Jeremy Nicholas in issue: 02/2013
One might argue quality not quantity – and the former is amply in evidence here – but 58 minutes is...
Reviewed by Edward Seckerson in issue: 02/2013
Rob Cowan’s monthly survey of historic reissues and archive recordings
Tim Ashley hears the first instalment in a reissue of Joan Sutherland’s complete recordings
Mark Pullinger enjoys a survey of the ever-youthful tenor’s EMI recordings
Rob Cowan listens to sets of Bruckner and Schubert symphonies, plus a pair of pianists
David Gutman revisits the British conductor’s recordings with two major orchestras
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