Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Even more than in Glyndebourne’s other Britten opera releases, the pluses and minuses of live recording are the most important...
Reviewed by Richard Fairman in issue: 02/2012
Patricia Petibon’s Lulu in Oliver Py and Pierre-André Weitz’s Geneva/Barcelona production is surely as complete and dangerous an assumption as...
Reviewed by Mike Ashman in issue: 02/2012
Oh my word, what have we here? A fat hardback, stocked with essays on the music, 18th-century diplomacy and the...
Reviewed by Lindsay Kemp in issue: 12/2012
To mount Meistersinger at Glyndebourne, even in its new theatre, is both a significant step further than Tristan and an...
Reviewed by Mike Ashman in issue: 12/2012
This might seem like yet another unfamiliar Vivaldi opera uncovered but the truth is more complicated. Giacomelli’s setting of Zeno’s...
Reviewed by David Vickers in issue: 12/2012
‘Girls seem either to want to marry me or kill me.’ Such is the lament of the beleaguered groom Vašek...
Reviewed by David Patrick Stearns in issue: 12/2012
With its temples, theatre and magnificent colonnaded street, Palmyra, the ‘Bride of the Desert’, is one of the best-preserved cities...
Reviewed by Richard Lawrence in issue: 12/2012
This recording, taken from concert performances in Baden-Baden, is based on the scholarly New Mozart Edition. But it doesn’t follow...
Reviewed by Richard Lawrence in issue: 12/2012
Laurent Pelly’s production (Paris, 2011) is set imaginatively in the storeroom of a museum of antiquities, which includes famous classical...
Reviewed by David Vickers in issue: 12/2012
Alessandro (1726) initiated the Royal Academy of Music’s new artistic policy of producing operas designed for a prestigious triumvirate of...
Reviewed by David Vickers in issue: 12/2012
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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