Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Any release spunky enough to embrace Ligeti’s and Finnissy’s Second Quartets – not to mention Stravinsky’s Three Pieces and Lutosławski’s...
Reviewed by Philip_Clark in issue: 10/2012
Now that Martha Argerich has all but abandoned the recording studio (and the solo recital platform) for chamber projects with...
Reviewed by David Threasher in issue: 10/2012
Jakob Ullmann writes music that’s hardly there. Born 1958 in Freiberg, residual traces of Nono, Lachenmann and Cage meander around...
Reviewed by Philip_Clark in issue: 10/2012
Schubert’s Rosamunde and Death and the Maiden create one of the starkest pairings of string quartets, displaying startling contrasts and...
Reviewed by Caroline Gill in issue: 10/2012
As this is the first in the Mandelring Quartet’s complete cycle of Mendelssohn’s string quartets, plain chronological order may well...
Reviewed by Caroline Gill in issue: 10/2012
Ravel, it seems, made a careful study of the piano trios of Saint-Saëns before embarking on his own in 1914....
Reviewed by Edward Greenfield in issue: 10/2012
In the early 1990s there was a rash of discs of little-known Baroque instrumental music issued on mainstream labels, either...
Reviewed by Caroline Gill in issue: 10/2012
The billing might initially suggest a radical take on Haydn’s lofty Passion meditations. What we get, though, is a modest...
Reviewed by Richard Wigmore in issue: 10/2012
Slender tone, soft, delicate and withdrawn greets you at the start of Schumann’s First Quartet, the Introduzione played Andante espressivo...
Reviewed by Nalen Anthoni in issue: 10/2012
What a glorious work the First Piano Quartet is, here given a reading that abounds in warmth and geniality. Sample...
Reviewed by Harriet Smith in issue: 10/2012
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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