Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
The Sicilian Vespers, like Don Carlos, was composed for the Paris Opéra. Like Don Carlos, too, it’s better known in...
Reviewed by Richard Lawrence in issue: 12/2011
Any new recording of Fanciulla confronts the most troublesome opera of Puccini’s maturity, though since this one is live, it’s...
Reviewed by David Patrick Stearns in issue: 12/2011
This Magic Flute, which is performed in English, should come with a warning. You have to look closely at the...
Reviewed by Richard Lawrence in issue: 12/2011
Both recent productions (2009) of Korngold’s masterpiece testify to its continuing appeal to audiences and directors alike. The casting of...
Reviewed by Adrian Edwards in issue: 12/2011
It’s quite a surprise to find a Handel opera emanating from Vienna, albeit with a foreign orchestra and production team:...
Reviewed by Richard Lawrence in issue: 12/2011
Every composition on this disc has a strong connection with Christ Church, Oxford, and the programme includes works by directors...
Reviewed by Christopher Nickol in issue: 12/2011
‘Scratch a French composer and underneath you’ll find Massenet; scratch an English composer and you’ll find Parry.’ Parry’s choral masterpieces,...
Reviewed by Jeremy Dibble in issue: 12/2011
The logo of Les Arts Florissants incorporates its customary ‘William Christie’ but this concert at the historic abbey in Ambronay...
Reviewed by David Vickers in issue: 12/2011
The Choir of Merton College, Oxford, was founded in 2008 and this debut CD will undoubtedly establish them as one...
Reviewed by Christopher Nickol in issue: 12/2011
Karina Lucas, a young British singer new to me, and her instrumental accomplices offer an imaginative, offbeat programme framing assuaging...
Reviewed by Richard Wigmore in issue: 12/2011
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.