Review - QUAD 33/303
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
There are four extant settings of Dixit Dominus by Alessandro Scarlatti. Half are simple stile antico pieces but the Choir...
Reviewed by David Vickers in issue: 08/2013
It may not look like it at first but there are three completely different orchestras on this disc. The European...
Reviewed by Lindsay Kemp in issue: 08/2013
If you exclude the credits and the pauses between movements, this performance lasts just short of 75 minutes, about par...
Reviewed by Richard Lawrence in issue: 08/2013
There is something of a ‘genre within a genre’ when one reaches late Bach cantatas – especially those works which...
Reviewed by Jonathan Freeman-Attwood in issue: 08/2013
What an enticing programme this is. I’ve long had a serious soft spot for Debussy’s youthful Fantaisie, a work in...
Reviewed by Harriet Smith in issue: 08/2013
Christopher Rouse’s Flute Concerto was composed as a direct response to the killing of James Bulger in Liverpool in 1993....
Reviewed by Geoffrey Norris in issue: 08/2013
Jörg Widmann is 40 this year and well placed to assume the late Hans Werner Henze’s pivotal role in the...
Reviewed by Arnold Whittall in issue: 08/2013
Villa-Lobos’s Five Preludes (1940) are, alongside the Twelve Studies (1924 29; not included on this new disc), the cornerstones of...
Reviewed by Guy Rickards in issue: 08/2013
Stravinsky once described the piano as the ‘fulcrum’ of his compositional activity, presumably meaning that he used it to lever...
Reviewed by John Warrack in issue: 08/2013
Prélude à L’après-midi d’un faune, Boléro and The Rite of Spring tiptoe into existence by stealth, solo woodwinds making an...
Reviewed by Philip Clark in issue: 08/2013
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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