Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
There is an exciting combination of influences in this first recording of the all-female Dutch quartet, although the fact that...
Reviewed by Caroline Gill in issue: 09/2013
Like Chopin, every single work by Godowsky features the piano. Unlike Chopin, Godowsky wrote nothing for piano and orchestra, nor...
Reviewed by Jeremy Nicholas in issue: 09/2013
Following up his two-volume survey for Naxos of Ghedini’s complete piano music, Massimo Giuseppe Bianchi and his duo partner Emy...
Reviewed by Jed Distler in issue: 09/2013
On a disc to delight even the most blasé Francophile, the husband-and-wife team of Pascal and Ami Rogé give us...
Reviewed by Bryce Morrison in issue: 09/2013
The young French violinist Elsa Grether here gives the most passionate performances of three of Ernest Bloch’s works most deeply...
Reviewed by Edward Greenfield in issue: 09/2013
The first work you’ll hear on this absorbing CD was composed by a 24-year-old who worked as an assistant conductor...
Reviewed by Rob Cowan in issue: 09/2013
A trio of characterful and accomplished 20th-century string quartets make a satisfyingly substantial programme of a kind now rare on...
Reviewed by Arnold Whittall in issue: 09/2013
Among the many breathtaking moments on the Ebène Quartet’s CD, there is one in particular that keeps calling one back....
Reviewed by Rob Cowan in issue: 12/08
It is in the choral Second Symphony that the advantage of the wide-ranging digital sound comes out most strikingly, in...
Reviewed in issue
“Rather prim and formal throughout, and presents little variety in its part-writing” – a verdict on K157 from Thomas F...
Reviewed by Nalen Anthoni in issue: 05/2011
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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