Review - David Oistrakh: The Warner Remastered Edition – The Complete Columbia & HMV Recordings
Rob Cowan on a revealing collection of recordings by the Russian violinist David Oistrakh
These belles quarts d’heure follow a tried-and-tested recipe, coming out a little differently each time. On a blind tasting you...
Reviewed by Peter Quantrill in issue: 09/2023
I would not have had Nézet-Séguin down as a natural Sibelian, and I would have been completely wrong. Too few...
Reviewed by Peter Quantrill in issue: 09/2023
With Shostakovich’s word-setting what happens between the words is, more than with any other composer I know (with the exception...
Reviewed by Edward Seckerson in issue: 09/2023
Noseda served part of his apprenticeship under Gergiev at the Mariinsky Theatre, and his concerts as principal conductor of the...
Reviewed by David Fanning in issue: 09/2023
It’s strange, but after decades of neglect the music of Florence Price seems uncannily familiar. The soulful themes with their...
Reviewed by Edward Seckerson in issue: 09/2023
'Pass over Sombart’ was Jed Distler’s verdict on the French pianist’s Beethoven concertos in December 2020. In the company of...
Reviewed by David Threasher in issue: 09/2023
The orchestra that brought Mahler’s Sixth into the world might indeed claim some historical kinship with his music – but...
Reviewed by Edward Seckerson in issue: 09/2023
Blue Griffin’s ambitious programme of Lowell Liebermann world premieres is dominated by the immersive relationships the soloists develop with the...
Reviewed by Laurence Vittes in issue: 09/2023
If you’re going to play Khachaturian’s noisy Third Symphony (1947), with its 15 trumpet parts, you need to fully commit,...
Reviewed by Andrew Farach-Colton in issue: 09/2023
I’ll cut right to the chase. The headline event here is the premiere recording of the Cello Concerto by Enrique...
Reviewed by Charlotte Gardner in issue: 09/2023
Rob Cowan on a revealing collection of recordings by the Russian violinist David Oistrakh
In our current dark times we need Debussy as much as ever. And this book is a perfect way in if you...
Rob Cowan’s monthly survey of historic reissues and archive recordings
Rob Cowan on the legacies of a trio of conductors in the music in which they excelled
Rob Cowan dives into Warner’s second volume of Wolfgang Sawallisch’s recordings
It’s hard to think of another book about a specific instrument that goes quite as deep as this
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