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Review of TAKEMITSU Spectral Canticle

TAKEMITSU Spectral Canticle

These belles quarts d’heure follow a tried-and-tested recipe, coming out a little differently each time. On a blind tasting you...

Reviewed by Peter Quantrill in issue: 09/2023

Review of SIBELIUS Symphonies Nos 3 & 4 (Nézet-Séguin)

SIBELIUS Symphonies Nos 3 & 4 (Nézet-Séguin)

I would not have had Nézet-Séguin down as a natural Sibelian, and I would have been completely wrong. Too few...

Reviewed by Peter Quantrill in issue: 09/2023

Review of SHOSTAKOVICH Symphony No 14. Six Verses of Marina Tsvetayeva (Storgårds)

SHOSTAKOVICH Symphony No 14. Six Verses of Marina Tsvetayeva (Storgårds)

With Shostakovich’s word-setting what happens between the words is, more than with any other composer I know (with the exception...

Reviewed by Edward Seckerson in issue: 09/2023

Review of SHOSTAKOVICH Symphonies Nos 6 & 15 (Noseda)

SHOSTAKOVICH Symphonies Nos 6 & 15 (Noseda)

Noseda served part of his apprenticeship under Gergiev at the Mariinsky Theatre, and his concerts as principal conductor of the...

Reviewed by David Fanning in issue: 09/2023

Review of PRICE Piano Concerto in One Movement. Symphony No 1 (Jeneba Kanneh-Mason)

PRICE Piano Concerto in One Movement. Symphony No 1 (Jeneba Kanneh-Mason)

It’s strange, but after decades of neglect the music of Florence Price seems uncannily familiar. The soulful themes with their...

Reviewed by Edward Seckerson in issue: 09/2023

Review of MOZART Piano Concertos Nos 20, 21, 23 & 27 (Elizabeth Sombart)

MOZART Piano Concertos Nos 20, 21, 23 & 27 (Elizabeth Sombart)

'Pass over Sombart’ was Jed Distler’s verdict on the French pianist’s Beethoven concertos in December 2020. In the company of...

Reviewed by David Threasher in issue: 09/2023

Gramophone Classical Music Awards Winner
Review of MAHLER Symphony No 3 (Netopil)

MAHLER Symphony No 3 (Netopil)

The orchestra that brought Mahler’s Sixth into the world might indeed claim some historical kinship with his music – but...

Reviewed by Edward Seckerson in issue: 09/2023

Review of LIEBERMANN Violin Concerto. 2 Chamber Concertos. Air (Aiman Mussakhajayeva)

LIEBERMANN Violin Concerto. 2 Chamber Concertos. Air (Aiman Mussakhajayeva)

Blue Griffin’s ambitious programme of Lowell Liebermann world premieres is dominated by the immersive relationships the soloists develop with the...

Reviewed by Laurence Vittes in issue: 09/2023

Review of KHACHATURIAN Symphony No 3. Gayaneh Suite No 3

KHACHATURIAN Symphony No 3. Gayaneh Suite No 3

If you’re going to play Khachaturian’s noisy Third Symphony (1947), with its 15 trumpet parts, you need to fully commit,...

Reviewed by Andrew Farach-Colton in issue: 09/2023

Review of LALO; CASALS Cello Concertos (Jan Vogler)

LALO; CASALS Cello Concertos (Jan Vogler)

I’ll cut right to the chase. The headline event here is the premiere recording of the Cello Concerto by Enrique...

Reviewed by Charlotte Gardner in issue: 09/2023


 

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