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Review of GEE Mouthpieces

GEE Mouthpieces

Music that uses the mouth as an instrument has evolved apace over the past century and Erin Gee clearly has...

Reviewed by Richard Whitehouse in issue: 06/2014

Review of FERRANDINI Cantatas

FERRANDINI Cantatas

Until recently the Munich-based Venetian composer Giovanni Ferrandini (1709 91) has probably been known to only a few attentive observers...

Reviewed by David Vickers in issue: 06/2014

Review of FAURÉ Mélodies. La Bonne Chanson RAVEL Trois Poèmes

FAURÉ Mélodies. La Bonne Chanson RAVEL Trois Poèmes

These two artist-produced French song recitals illustrate the pluses and minuses of artistic control. Now in her mid 60s, Barbara...

Reviewed by David Patrick Stearns in issue: 06/2014

Review of DYRUD Out of Darkness

DYRUD Out of Darkness

Håkon Gullvåg’s startlingly macabre cover work (The Resurrection) provides a powerful indication that the music will be innovative and strong,...

Reviewed by Malcolm Riley in issue: 06/2014

Review of CALDARA Requiem

CALDARA Requiem

A hitherto little-known manuscript now in the Czech National Library contains a Missa defunctorum by Caldara that comprises the first...

Reviewed by David Vickers in issue: 06/2014

Review of JS BACH Cantatas Nos 72, 81, 155 & 156

JS BACH Cantatas Nos 72, 81, 155 & 156

Except for the exquisite Sinfonia that opens No 156, none of these Epiphany cantatas is familiar fare. But with Bach...

Reviewed by Richard Wigmore in issue: 06/2014

Review of JS BACH Cantatas BWV Nos 70; 9; 182

JS BACH Cantatas BWV Nos 70; 9; 182

For this latest instalment in his personal selection of Bach cantatas – one for each Sunday and liturgical feast –...

Reviewed by Richard Wigmore in issue: 06/2014

Review of JS BACH Easter Oratorio

JS BACH Easter Oratorio

Quibbling with the completeness of Sir John Eliot Gardiner’s Cantata Pilgrimage is a touch academic, as almost all the sacred...

Reviewed by Jonathan Freeman-Attwood in issue: 06/2014

Review of Juan Diego Flórez: L'Amour

Juan Diego Flórez: L'Amour

This recital from Juan Diego Flórez marks a new departure into different areas of 19th-century French repertoire. But the voice,...

Reviewed in issue 06/2014

Review of Maria Friederike Schöder: Amor

Maria Friederike Schöder: Amor

Though her career is still in the emerging stage, with plenty of credits in smaller-city opera houses and major-city early-music...

Reviewed by David Patrick Stearns in issue: 06/2014


 

Hi-Fi, Books, Reissues & Archive Reviews

Review - QUAD 33/303

Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...

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