Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Berlioz’s symphonic summit between Dionysus and Apollo has always posed its interpreters problems. Even in the face of much formidable...
Reviewed by Rob Cowan in issue: 05/2014
Even if the catalogue was in a less parlous state than it currently is where recordings of Beethoven’s Third Piano...
Reviewed by Richard Osborne in issue: 05/2014
If there’s one significant composer who needs a little help from his friends, it’s George Enescu. And by ‘friends’ I...
Reviewed by Rob Cowan in issue: 05/2014
The name of Renaud Capuçon is not the first that would spring to mind when searching for recordings of Bach’s...
Reviewed by Ivan Moody in issue: 05/2014
The Brandenburgs are billed here as music ‘open as ever to new historically informed interpretations, as this set demonstrates’, so...
Reviewed by Jonathan Freeman-Attwood in issue: 05/2014
This Guild series devoted to the Swiss conductor-composer Volkmar Andreae (1879-1962) is proving so comprehensive that it’s not always easy...
Reviewed by David Gutman in issue: 05/2014
The young Belgian pianist Florian Noack devotes Volume 1 of what promises to be the complete solo piano music of...
Reviewed in issue 03/2014
Early in the 19th century Achim von Arnim and Clemens Brentano assembled the Knaben Wunderhorn collection of German folk poems,...
Reviewed by Richard Wigmore in issue: 04/2014
Clare College Choir’s recording of music for Passiontide, interspersed with the plainchant Stabat mater dolorosa text, is not only a...
Reviewed by Caroline Gill in issue: 04/2014
Like buses, CD releases often come in batches. No sooner had the sound of Conspirare’s low basses stopped reverberating after...
Reviewed by Alexandra Coghlan in issue: 04/2014
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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