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Review of HODGKINSON Onsets

HODGKINSON Onsets

Like many rock musicians who managed to piggyback their radical ideals off a 1970s music industry still prepared to sign...

Reviewed by Philip Clark in issue: 10/2014

Review of HINDEMITH Viola Works

HINDEMITH Viola Works

Competition is hotting up in Hindemith’s viola sonatas. They have fared better than most of his works in this genre,...

Reviewed by Guy Rickards in issue: 10/2014

Review of FRANZSON The Negotiation of context

FRANZSON The Negotiation of context

A title with a message, a message worth pondering. Negotiating context is what good composers aspire to and what complacent...

Reviewed by Philip Clark in issue: 10/2014

Review of JANÁČEK Violin Sonata DVOŘÁK Four Romantic Pieces

JANÁČEK Violin Sonata DVOŘÁK Four Romantic Pieces

Jennifer Pike may only be 24 but she’s already an established figure on the music scene and, together with her...

Reviewed by Harriet Smith in issue: 10/2014

Review of El Sistema at Salzburg

El Sistema at Salzburg

Venezuela’s El Sistema must bring a blush to the cheeks of most governments (especially here in the comparatively well heeled...

Reviewed by Jeremy Nicholas in issue: 10/2014

Review of Australian Guitar Concertos

Australian Guitar Concertos

This collection of guitar concertos largely inspired by Australia’s Top End is as much a tribute to Peter Sculthorpe, who...

Reviewed by William Yeoman in issue: 10/2014

Review of Hidden Treasures of Italy

Hidden Treasures of Italy

'Hidden Treasures of Italy’ is what the Montreal-based Arion Baroque Orchestra have called this release; and indeed, when the most...

Reviewed by Lindsay Kemp in issue: 10/2014

Review of Daniel Hope: Escape to Paradise

Daniel Hope: Escape to Paradise

For ‘Escape to Paradise’, Daniel Hope has brought together two generations of composers who were and are linked indelibly to...

Reviewed by Adrian Edwards in issue: 10/2014

Review of Venice: The Golden Age

Venice: The Golden Age

It is always a pleasure to hear the Akademie für Alte Musik Berlin, whatever they play. I say this because...

Reviewed by Lindsay Kemp in issue: 10/2014

Review of Jeanne Lamon: Baroque Virtuoso

Jeanne Lamon: Baroque Virtuoso

To commemorate Jeanne Lamon’s 33 years as Music Director of the Toronto-based Tafelmusik Baroque Orchestra, this issue is a compilation...

Reviewed by Duncan Druce in issue: 10/2014


 

Hi-Fi, Books, Reissues & Archive Reviews

Review - QUAD 33/303

Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...

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