Review - Charles Ives: The RCA and Columbia Album Anthology
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
For its 2013 bicentenary production of L’italiana in Algeri, Pesaro’s Rossini Opera Festival assembled a cast and conductor whose realisation...
Reviewed by Richard Osborne in issue: 12/2014
The Festivities of Hymen and Cupid started out as a ballet-héroïque in three entrées called The Gods of Egypt. With...
Reviewed by Richard Lawrence in issue: 12/2014
Partnered ably by Academia Montis Regalis, Franco Fagioli sings with fulsome bravado and technical virtuosity in vibrant performances of 12...
Reviewed by David Vickers in issue: 12/2014
‘Desperate heroines’ runs the rubric for what Sandrine Piau dubs ‘a Mozartian “cartography” of the feminine condition’. Desperation is hardly...
Reviewed by Richard Wigmore in issue: 12/2014
Here, only five years after Francesca Zambello’s production (Opus Arte, 7/09), is a new version of Don Giovanni from Covent...
Reviewed by Richard Lawrence in issue: 12/2014
Good ideas are everywhere in Clemency, though that doesn’t mean they’ve translated into a good listening experience in this live...
Reviewed by David Patrick Stearns in issue: 12/2014
Based on a tale from Ovid, Quinault’s libretto for Atys (1676) was the first collaboration with Lully to eschew comic...
Reviewed by David Vickers in issue: 12/2014
Quinault’s libretto for Amadis de Gaule (1684) adapts a medieval Spanish tale of a hero who loves the British princess...
Reviewed by David Vickers in issue: 12/2014
Gender-bending, sometimes with an element of titillation, was a commonplace of Baroque opera. When Johann Adolf Hasse’s serenata was staged...
Reviewed by Richard Wigmore in issue: 12/2014
The four recordings of Hartmann’s second opera between them present three different versions of the work. This latest issue uses...
Reviewed by Guy Rickards in issue: 12/2014
Richard Whitehouse on an inviting anniversary collection devoted to Charles Ives
Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...
‘What emerges is a sense of a musician of true grit and principle, one who fought for what she...
Andrew Farach-Colton on the Channel Classics recordings of Pieter Wispelwey
Rob Cowan immerses himself in collections devoted to three composers and a quartet
David Gutman welcomes two collections released to celebrate the conductor’s career
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