Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Mendelssohn’s choral symphony, the Hymn of Praise, still deserves a wider currency than it presently enjoys. Cast as a hybrid...
Reviewed by Malcolm Riley in issue: 12/2014
Emmanuelle Haïm plumps for a neatly convenient four-soloist version presented in the main text of John Tobin’s Bärenreiter edition. This...
Reviewed by David Vickers in issue: 12/2014
Unsurprisingly, their website includes generous words of praise about the first release on the Orchestra of St John’s own label....
Reviewed by Marc Rochester in issue: 12/2014
The precise date of Antoine Brumel’s death is not known but its 500th anniversary may well have fallen about the...
Reviewed by Fabrice Fitch in issue: 12/2014
From the three sets of unaccompanied motets Brahms composed at various times, only one from the second set (Op 74)...
Reviewed by Marc Rochester in issue: 12/2014
The short-lived Society for Private Musical Performances, founded by Schoenberg and his pupils, is the inspiration for this unusual disc....
Reviewed by Richard Fairman in issue: 12/2014
The distinctive repertoire was planned by Thomas Voigt – not a trawl through predictable encores but a look at the...
Reviewed by Mike Ashman in issue: 12/2014
It is welcome to have on the Naxos budget label a collection of Italian soprano arias as attractive as this...
Reviewed by Edward Greenfield in issue: 12/2014
No sooner has de Billy walked out of the Vienna State Opera in a dispute about cuts in Lohengrin than...
Reviewed by Mike Ashman in issue: 12/2014
For its 2013 bicentenary production of L’italiana in Algeri, Pesaro’s Rossini Opera Festival assembled a cast and conductor whose realisation...
Reviewed by Richard Osborne in issue: 12/2014
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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