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Review of RAVEL Daphnis et Chloé

RAVEL Daphnis et Chloé

This recording of Daphnis, like the ballet itself, begins so softly that it is not until some seconds in that...

Reviewed by Geoffrey Norris in issue: 05/2015

Review of D PRITCHARD Wall of Water

D PRITCHARD Wall of Water

Every now and then a new work comes along that simply takes one’s breath away. The Violin Concerto Wall of...

Reviewed by Guy Rickards in issue: 05/2015

Review of MESSIAEN Des Canyons aux Étoiles

MESSIAEN Des Canyons aux Étoiles

What weird and wonderful challenges lie in the 100 minutes of Messiaen’s Des canyons aux étoiles. Lucky the London Philharmonic...

Reviewed by Geoffrey Norris in issue: 05/2015

Review of MCCABE Symphony No 1. Tuning. Studies

MCCABE Symphony No 1. Tuning. Studies

Although acknowledged as a fine composer with a relatively good discography, in some respects the late, great John McCabe –...

Reviewed by Guy Rickards in issue: 05/2015

Review of MAHLER Symphonies Nos 3 & 4

MAHLER Symphonies Nos 3 & 4

The acoustic of Kloster Eberbach is no more obtrusive a presence here than it was in the Resurrection Symphony reviewed...

Reviewed by Peter Quantrill in issue: 05/2015

Review of IVES Symphonies Nos 1 & 2

IVES Symphonies Nos 1 & 2

There are masses of CDs covering all four Ives symphonies and plenty of LPs before that. For the Second Symphony...

Reviewed by Peter Dickinson in issue: 05/2015

Review of GREENAWAY Aubade & Nocturne

GREENAWAY Aubade & Nocturne

The Australian composer, arranger and pianist Sally Greenaway works in a multiplicity of styles and genres, from orchestral film and...

Reviewed by William Yeoman in issue: 05/2015

Review of FAGERLUND Violin Concerto. Ignite

FAGERLUND Violin Concerto. Ignite

This is BIS’s third disc devoted to the music of the Finn Sebastian Fagerlund (b1972). David Fanning was not wholly...

Reviewed by Guy Rickards in issue: 05/2015

Review of ENESCU Symphonie Concertante. Symphony No 1

ENESCU Symphonie Concertante. Symphony No 1

There’s something very ‘pre-Shostakovich’ about the austere chord that opens the 20-year-old Enescu’s Symphonie concertante, but thereafter this lyrical outpouring...

Reviewed by Rob Cowan in issue: 05/2015

Review of ELGAR Symphony No 1. Cockaigne

ELGAR Symphony No 1. Cockaigne

The nature of Elgar’s musical language, with its elastic tempi and, as Parry once described, expressive ‘spasms’, has often proved...

Reviewed by Jeremy Dibble in issue: 05/2015


 

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Review - QUAD 33/303

Reinvented almost 60 years since the introduction of the original, this preamp/power amp combination...

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