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Review of BIZET The Pearl Fishers

BIZET The Pearl Fishers

From Naples comes a less than sharp revival of Bizet’s best nearly-nearly opera. The Pearl Fishers is always worth hearing...

Reviewed by Mike Ashman in issue: 03/2015

Review of Les Vents Français: Winds and Piano

Les Vents Français: Winds and Piano

Two favourites (of mine, at any rate) frame this three-CD set of wind-ensemble pieces from Les Vents Français. The fact...

Reviewed by Geoffrey Norris in issue: 03/2015

Review of La Vida Breve

La Vida Breve

What initially looks like a marginally relevant disc turns out to be a deceptively smart, feel-good collection that also solves...

Reviewed by David Patrick Stearns in issue: 03/2015

Review of Tabea Zimmermann: Romance oubliée

Tabea Zimmermann: Romance oubliée

This collection of Romantic pieces is remarkable for the outstanding quality of the playing. Tabea Zimmermann and Thomas Hoppe give...

Reviewed by Duncan Druce in issue: 03/2015

Review of The English Phantasy

The English Phantasy

Given the richness and uniqueness of much of the chamber music motivated by the Cobbett Competition (instigated in 1905), it...

Reviewed by Jeremy Dibble in issue: 03/2015

Review of NONO Seguente

NONO Seguente

There was a period in my life when I would regularly overdose on late-period Luigi Nono. The all-encompassing scope of...

Reviewed by Philip Clark in issue: 03/2015

Review of KREČIČ Architexture’ : Music for strings

KREČIČ Architexture’ : Music for strings

When new music can’t be understood without the album notes, either the idiom is extremely foreign or the composer’s intentions...

Reviewed by David Patrick Stearns in issue: 03/2015

Review of MOZART; IVES; VERDI String Quartets

MOZART; IVES; VERDI String Quartets

The Schumann Quartet – not named after Robert but after the three brothers who are its violinists and cellist –...

Reviewed by Duncan Druce in issue: 03/2015

Review of HINDEMITH Sonatas for Horn, Cello, Trombone, Violin and Trumoet

HINDEMITH Sonatas for Horn, Cello, Trombone, Violin and Trumoet

If there is a Cinderella among Hindemith’s three dozen(ish) sonatas, it’s not that for double bass, tuba, or even the...

Reviewed by Guy Rickards in issue: 03/2015

Review of HENDERICKX Disappearing in Light

HENDERICKX Disappearing in Light

Breathy notes on shakuhachi answered by an eerily floating mezzo-soprano vocalise, punctuated by splashes of sounds on temple gongs and...

Reviewed by Pwyll ap Siôn in issue: 03/2015


 

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