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PROKOFIEV; SHOSTAKOVICH Cello Concertos

Prokofiev’s demanding, conceptually lopsided Cello Concerto, failed at the box office and has been little heard. Indeed, the only significant...

Reviewed by David Gutman in issue: 04/2015

Avi Avital: Vivaldi Concertos

If Avi Avital’s intention is to do for the mandolin what Andrés Segovia did for the classical guitar, he’s already...

Reviewed by William Yeoman in issue: 04/2015

ADAMS Wind in High Places. Canticles of the Sky

John Luther Adams’s status as one of new music’s most original musical voices was recognised last year when he was...

Reviewed by Pwyll ap Siôn in issue: 04/2015

JS BACH Piano Music

Claire-Marie Le Guay is a pianist of broad interests, with repertoire ranging right up to the present day, but this...

Reviewed by Harriet Smith in issue: 04/2015

BEETHOVEN Complete Cello Sonatas and Variations

Cellist Matt Haimovitz prefaces his period-instrument Beethoven cycle with an absorbing essay, writing that ‘the consideration is no longer the...

Reviewed by Jed Distler in issue: 04/2015

And the Bridge is Love

A neck injury may have forced Julian Lloyd Webber to retire from the concert platform as a soloist but this...

Reviewed by Andrew Achenbach in issue: 04/2015

JS BACH Goldberg Variations

To what extent is one listening to the ‘arrangement’ rather than the piece? It’s a question which has frequently arisen...

Reviewed by Jonathan Freeman-Attwood in issue: 04/2015

VIVALDI L’estro armonico Op 3

We hear so many Vivaldi operas these days that we may be at risk of forgetting where we came in...

Reviewed by Lindsay Kemp in issue: 04/2015

Benjamin Hochman: Variations

As with his Avie solo debut disc (1/14), Benjamin Hochman’s all-variations follow-up release juxtaposes old and new works. Or rather...

Reviewed by Jed Distler in issue: 04/2015

Sonatenabend

The pianist tells us in his introductory note that he has performed this programme many times in concert, ‘built around...

Reviewed by Jeremy Nicholas in issue: 04/2015

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