Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Tim Fain’s combination of power, precision and deeply expressive playing has made his recordings almost as ubiquitous as Philip Glass’s...
Reviewed by Pwyll ap Siôn in issue: 07/2015
Cécile Chaminade had two things going against her as a composer. The first was that she was a woman in...
Reviewed by Harriet Smith in issue: 07/2015
However many incarnations it goes through, the Borodin Quartet brand somehow never loses its cachet, despite the fact that, in...
Reviewed by David Fanning in issue: 07/2015
You might well assume that the name ‘Kuijken’ would mean this is a period-instrument account of Schubert’s mighty Quintet. But...
Reviewed by Harriet Smith in issue: 07/2015
As recently as the mid 1990s it seemed inconceivable that Steve Reich’s Music for 18 Musicians would be performed and...
Reviewed by Pwyll ap Siôn in issue: 07/2015
Wikipedia describes the Piano Duo Genova & Dimitrov as ‘a Bulgarian piano duo, considered both by the world music press...
Reviewed by Jeremy Nicholas in issue: 07/2015
Friedrich Daniel Rudolph Kuhlau (1786-1832): a good subject for a pub quiz. Can you name a one-eyed composer? Who, besides...
Reviewed by Jeremy Nicholas in issue: 07/2015
If your musical tastes err towards the sunny, optimistic and playful rather than the heavyweight, gloomy and probing, let me...
Reviewed by Jeremy Nicholas in issue: 07/2015
Steven Isserlis is a past master when it comes to matching his pianists to repertoire: Robert Levin in Beethoven, Dénes...
Reviewed by Harriet Smith in issue: 07/2015
It remains puzzling why so comparatively few big-name fiddle players include any Ernst in their repertoire. This latest addition to...
Reviewed by Jeremy Nicholas in issue: 07/2015
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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