Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Although Finzi did not compose much chamber music, his innately contrapuntal style, informed by enduring fascination for the music of...
Reviewed by Jeremy Dibble in issue: 08/2015
Brahms’s three piano trios make an obvious programme for disc, even if, played one after the other, there’s just slightly...
Reviewed by David Threasher in issue: 08/2015
Your reviewer first discovered the undemanding delights of Bottesini on an early-ish CD (1986) originally on ASV with the young...
Reviewed by Jeremy Nicholas in issue: 08/2015
The misnomer sonata da chiesa for the Corellian sequence of slow-fast-slow-fast movements has somehow stuck for good, even if such...
Reviewed by David Vickers in issue: 08/2015
Alina Ibragimova has made many fine recordings in recent years, but this solo Ysaÿe disc must count as one of...
Reviewed in issue 07/2015
The rainforest tape that opens this remarkable disc might seem a Brazilian cliché – and in a sense it is....
Reviewed by Ivan Moody in issue: 07/2015
Folk-minded early music ensemble Concerto Caledonia have titled their latest disc ‘Purcell’s Revenge’ but to many listeners its irreverent reworkings...
Reviewed by Alexandra Coghlan in issue: 07/2015
Look back over the classical releases of the past few years and you’ll see a trend emerging. Sitting somewhere at...
Reviewed by Alexandra Coghlan in issue: 07/2015
Song recitals don’t come much more eclectic than this. In the booklet interview Christianne Stotijn reveals her fascination with the...
Reviewed by Richard Wigmore in issue: 07/2015
This year’s quincentenary of the accession of King Francis I is being commemorated by a number of ensembles. This impressive...
Reviewed by Fabrice Fitch in issue: 07/2015
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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