Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Written for Paris in 1784, Les Danaïdes was Salieri’s first French opera and the work that eventually sealed his international...
Reviewed by Tim Ashley in issue: 08/2015
There’s a lot going for this newcomer. The scale is modest: single strings, with a theorbo to supplement Christopher Monks’s...
Reviewed by Richard Lawrence in issue: 08/2015
‘In this dear land where sunshine comes but once a year…we’d rot away and end up as compost unless we...
Reviewed by Mike Ashman in issue: 08/2015
This seems to be the first CD recording of Entführung for some years, so it’s especially welcome. It follows Don...
Reviewed by Richard Lawrence in issue: 08/2015
If you like dramaturgical solutions to an opera hinted at rather than spelt out in capitals, this revival of Christof...
Reviewed by Mike Ashman in issue: 08/2015
Recordings of Jenůfa now range from the pioneering set conducted by his biographer and critic Jaroslav Vogel to sets from...
Reviewed by John Warrack in issue: 08/2015
The first collaboration between Arthur Honegger and Paul Claudel, Jeanne d’Arc au bûcher, dates from 1938, though it only acquired...
Reviewed by Tim Ashley in issue: 08/2015
As minister for justice under François Mitterand, the French lawyer and politician Robert Badinter played a key role in the...
Reviewed by Philip Kennicott in issue: 08/2015
Campra’s Tancrède was first performed at Paris’s Académie Royale de Musique in 1702 and revived sporadically until as late as...
Reviewed by David Vickers in issue: 08/2015
Belgian composer Philippe Boesmans, just turned 79, was a close associate-cum-student of Henri Pousseur and the composers around him in...
Reviewed by Mike Ashman in issue: 08/2015
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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