Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Alfano’s First begins like a quartet using jump-leads to start a Janáček piece (though it dates from 1915, eight years...
Reviewed by Peter Quantrill in issue: AW23
The National Symphony Orchestra have been releasing recordings of George Walker’s five sinfonias as digital singles (I reviewed Nos 1...
Reviewed by Andrew Farach-Colton in issue: AW23
The Vivaldi Edition rolls on. Proposed by scholar Alberto Basso, its aim is not to record everything the Red Priest...
Reviewed by Mark Pullinger in issue: AW23
This coupling defines Shostakovich in so many ways – not least the subterfuge and double-speak that marked out his symphonic...
Reviewed by Edward Seckerson in issue: AW23
Petr Popelka has recently relinquished the chief conductorship of the Norwegian Radio Orchestra, which he held from 2020. As a...
Reviewed by David Threasher in issue: AW23
The Croatian pianist Dejan Lazić grew up in Salzburg and studied at the city’s Mozarteum. One...
Reviewed by David Threasher in issue: AW23
These recordings were made in late April 2021, when Lars Vogt was already seriously ill with cancer. To be reviewing...
Reviewed by Harriet Smith in issue: AW23
A previous Renaud Capuçon Mozart recording with the Scottish Chamber Orchestra under Louis Langrée (Concertos Nos 1 and 3, with...
Reviewed by Rob Cowan in issue: AW23
Martinů’s eccentric compositional fluency can throw even ardent admirers off the scent. Of the three works included in the present...
Reviewed by David Gutman in issue: AW23
According to Rachel Barton Pine, ‘There is perhaps no classical composer who is more beloved to metalheads than Shostakovich’. I’m...
Reviewed by David Fanning in issue: AW23
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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