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LISZT Opera Transcriptions

It is nearly 20 years since Arnaldo Cohen inaugurated Naxos’s series of all Liszt’s solo piano music (6/97). Leslie Howard,...

Reviewed by Jeremy Nicholas in issue: 03/2016

GALILEI The Well-Tempered Lute

This latest release from ak Ozmo again demonstrates the London-based lutenist and conductor’s searching intellect and wry imagination. But it...

Reviewed by William Yeoman in issue: 03/2016

BORTKIEWICZ Piano Sonata No 2. Fantasiestücke

Sergei Bortkiewicz (1877-1952) was a man born out of his time, musically and physically. He had no time for atonal...

Reviewed by Jeremy Nicholas in issue: 03/2016

Grigory Sokolov plays Schubert & Beethoven

To call Sokolov’s Schubert heavy-laden would certainly be no exaggeration. However, to say, as the gushy booklet essay does of...

Reviewed by David Fanning in issue: 03/2016

The Deer's Cry

Just over a year ago, Philippe Herreweghe and Collegium Vocale Gent released an album of music by William Byrd (‘Infelix...

Reviewed by Alexandra Coghlan in issue: 03/2016

Christine de Pizan, Chansons et Ballades

What at first glance might seem a little contrived about this programme quickly reveals itself to be a rather brilliant...

Reviewed by Edward Breen in issue: 03/2016

Birds in Baroque Music

Recorders and sopranos – it might not be Cav/Pag or Gheorghiu and Alagna, but it’s still one of music’s great...

Reviewed by Alexandra Coghlan in issue: 03/2016

Birds of Paradise

If Humperdinck and Hindemith seem like odd bedfellows, try adding Finzi, Berg and Ravel to the mix and you’ll find...

Reviewed by Alexandra Coghlan in issue: 03/2016

TCHAIKOVSKY The Snow Maiden

It must be difficult being a young Järvi. Whenever conducting brothers Paavo and Kristjan record a new disc, there’s every...

Reviewed by Mark Pullinger in issue: 03/2016

SCHUMANN Manfred

‘Terrible night with dreams of death,’ noted the young Schumann in 1829 after reading Manfred. Nineteen years later, in a...

Reviewed by Richard Wigmore in issue: 03/2016

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