Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
No one can be sure that the G major Violin Concerto recorded here is authentic Haydn. But with the composer’s...
Reviewed by Richard Wigmore in issue: 04/2016
Only 22 this year, and two or three years younger than that when these recordings were made, the American violinist...
Reviewed by David Fanning in issue: 04/2016
This is an enticing package. You’d have to be a fairly diehard Anglophobe not to be attracted to a new...
Reviewed by Richard Bratby in issue: 04/2016
For readers of a certain age, The Lark Ascending may be the biggest draw here. Pinchas Zukerman, long the starriest...
Reviewed by David Gutman in issue: 04/2016
Some of Stephen Hough’s greatest triumphs are to be found in Hyperion’s wondrous Romantic Piano Concerto series. In a sense...
Reviewed by Harriet Smith in issue: 04/2016
Vol 1 of Chandos’s ‘Comédie et Tragédie’ series contained well-known pieces by Lully, Marais and Rebel. The music here is...
Reviewed by Richard Lawrence in issue: 04/2016
Born Alexander Paucker in Bucharest, Francis Chagrin (1905-1972) settled first in Paris (where he studied with Paul Dukas and Nadia...
Reviewed by Andrew Achenbach in issue: 04/2016
I was struck while watching this latest instalment of Christian Thielemann’s video Bruckner cycle how much camera movement there is...
Reviewed by Christian Hoskins in issue: 04/2016
This first recording of a Bruckner symphony by the relatively unknown American conductor Lance Friedel is notable for not only...
Reviewed by Christian Hoskins in issue: 04/2016
A jet engine revs at the start of Mothership (2010) by Mason Bates, something like a spacecraft taking off. (At...
Reviewed by Kate Molleson in issue: 04/2016
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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