Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Part recital, part musical self-help manual, Simone Kermes’s latest album is a guide to love, 17th-century style. Whether your romantic...
Reviewed by Alexandra Coghlan in issue: 05/2016
The death of David Trendell in 2014 at the age of just 50 deprived us of a larger-than-life figure who...
Reviewed by Ivan Moody in issue: 05/2016
We all know what you get from an Oxbridge choral disc – at least we did until Graham Ross arrived...
Reviewed by Alexandra Coghlan in issue: 05/2016
The title of this recording, ‘Conversations with God’, takes its cue from a 1645 publication by Andreas Hammerschmidt, a representative...
Reviewed by Fabrice Fitch in issue: 05/2016
This final volume of Tallis from The Cardinall’s Musicke continues the fine form of its predecessors. Their interpretation of the...
Reviewed by Fabrice Fitch in issue: 05/2016
This is proving some year for Bent Sørensen. His remarkable new Triple Concerto was premiered by Trio Con Brio and...
Reviewed by Andrew Mellor in issue: 05/2016
Composed in 1988 to celebrate the millennium of Russia’s conversion to Christianity, Schnittke’s Penitential Psalms overlap stylistically and conceptually with...
Reviewed by David Fanning in issue: 05/2016
Bernardo Pasquini (1637-1710) was Rome’s leading harpsichordist and organist at about the same time as Corelli and Alessandro Scarlatti. Indeed,...
Reviewed by David Vickers in issue: 05/2016
Just as there’s more to Allegri than the Miserere, so with Antonio Lotti. The ubiquitous ‘Crucifixus’ (from the Missa Sancti...
Reviewed by Jonathan Freeman-Attwood in issue: 05/2016
Over half the songs in Vol 4 of Julian Drake’s Liszt series date from 1860 to 1880, a period that...
Reviewed by Tim Ashley in issue: 05/2016
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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