Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
This is the fourth Regent CD to feature music by David Bednall (b1979), one of Britain’s leading choral composers. The...
Reviewed by Malcolm Riley in issue: AW16
That this is the fourth volume of Scarlatti sonatas by Pierre Hantaï reminds us that he is no newcomer to...
Reviewed by Lindsay Kemp in issue: AW16
Chopin is far and away the most popular among his coevals, Mendelssohn, Schumann and Liszt, and much of his music...
Reviewed by Patrick Rucker in issue: AW16
Any quartet that wins a Grammy for a disc of Ligeti quartets gets my attention, and the Boston-based Parker Quartet...
Reviewed by Harriet Smith in issue: AW16
This superb new release in BIS’s series devoted to Brett Dean takes its name of the longest piece in the...
Reviewed in issue AW16
In contrast with the first instalment of Chandos’s series of Copland’s orchestral music (3/16), which focused on the popular ballets,...
Reviewed by Christian Hoskins in issue: AW16
Were someone to ask me to suggest a disc to introduce them to the violin, I might well steer them...
Reviewed by Jeremy Nicholas in issue: AW16
The booklet-note for this release makes some bold claims regarding Kent Nagano’s account of Eine Alpensinfonie with his Gothenburg orchestra....
Reviewed by Hugo Shirley in issue: AW16
‘Vengeance is mine, I shall repay’ is grimly inscribed on the opening page of Rachmaninov’s First Symphony. Each movement opens...
Reviewed by Mark Pullinger in issue: AW16
Kevin Puts’s music has an optimism and directness that, at least on its surface, harks back to mid-century American composers...
Reviewed by Andrew Farach-Colton in issue: AW16
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
If you are a library, university or other organisation that would be interested in an institutional subscription to Gramophone please click here for further information.