Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Two substantial late works of Maxwell Davies here receive first recordings. Ebb of Winter (2013) is designated a concert overture,...
Reviewed by Peter Quantrill in issue: 10/2016
The d’Indy discography has become increasingly distinguished of late, largely thanks to Rumon Gamba’s comprehensive survey of the orchestral works...
Reviewed by Tim Ashley in issue: 10/2016
Softly chiming horns open this final instalment in Naxos’s three-disc series of rare orchestral works by Enrique Granados. They launch...
Reviewed by Richard Bratby in issue: 10/2016
Hermann Goetz (1840 76) enjoyed a tragically brief, Mozartian lifespan. Though his music was quickly forgotten after his death, it...
Reviewed by Jeremy Nicholas in issue: 10/2016
Hot on the heels of the Germans – Barenboim’s Staatskapelle Berlin – the Italians now boldly go where they too...
Reviewed by Edward Seckerson in issue: 10/2016
Here is the third instalment of Ludovic Morlot and the Seattle Symphony Orchestra’s Henri Dutilleux cycle, also available in a...
Reviewed by Philip Clark in issue: 10/2016
Following the completion of his harmony and counterpoint studies with Simon Sechter, Bruckner took lessons in form and orchestration from...
Reviewed by Christian Hoskins in issue: 10/2016
If I say that what we have here is a varied exhibition in charcoals rather than oils, that’s not meant...
Reviewed by Rob Cowan in issue: 10/2016
If there is a constituency for recordings such as these it is probably among the ‘easy listening’ community: folk who...
Reviewed by Richard Osborne in issue: 10/2016
Anna Netrebko is not the first superstar singer to release an album that uses a loose description of the term...
Reviewed by Hugo Shirley in issue: 10/2016
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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