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Review of JS BACH Mass in B minor

JS BACH Mass in B minor

The paradox of recent performances of this mightiest of Bachian edifices is that as directors seek to be distinctive, almost...

Reviewed by Jonathan Freeman-Attwood in issue: 06/2017

Review of Maestro Corelli’s Violins

Maestro Corelli’s Violins

‘Maestro Corelli’s Violins’ is an intriguing title for a recording featuring no works by Corelli, but it refers to the...

Reviewed by Charlotte Gardner in issue: 06/2017

Review of Czech Viola Sonatas

Czech Viola Sonatas

Here’s a bold experiment: a survey of viola music by Czech composers, mostly born in the 1920s, whose names many...

Reviewed by Hannah Nepil in issue: 06/2017

Review of VIEUXTEMPS Viola Sonatas

VIEUXTEMPS Viola Sonatas

He built his reputation on the violin: writing for it, playing it to a level that invited comparisons with Paganini....

Reviewed by Hannah Nepil in issue: 06/2017

Review of SZYMANOWSKI Works for Violin and Piano

SZYMANOWSKI Works for Violin and Piano

The litmus test here is the start of ‘La fontaine d’Aréthuse’, the most famous of the three Mythes, where, compared...

Reviewed by Rob Cowan in issue: 06/2017

Review of L SMITH Drifte

L SMITH Drifte

Linda Catlin Smith (b1957) operates out of bustling urban Toronto, although her work puts you in mind of remote no-man’s-lands,...

Reviewed by Philip Clark in issue: 06/2017

Review of ORNSTEIN Complete Violin Sonatas

ORNSTEIN Complete Violin Sonatas

The life of Leo Ornstein (1893-2002) is of a fascination such that his music often tends to be overlooked. The...

Reviewed by Richard Whitehouse in issue: 06/2017

Review of MAHLER Symphony No 4 (arr Stein)

MAHLER Symphony No 4 (arr Stein)

What is the point of arranging music? To bring a work to a wider audience (when Beethoven and Brahms domesticated...

Reviewed by Peter Quantrill in issue: 8/2005

Review of HAYDN The Seven Last Words of Our Saviour on the Cross

HAYDN The Seven Last Words of Our Saviour on the Cross

A grotto draped in black, a single lantern, a bishop prostrate before the altar: Haydn himself described the circumstances of...

Reviewed by Richard Bratby in issue: 06/2017

Review of GLANERT Elysion

GLANERT Elysion

Detlev Glanert matured under the tutelage of Henze, and in three of the six works here he pays homage to...

Reviewed by Liam Cagney in issue: 06/2017


 

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