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Review of ANTHEIL Symphonies Nos 4 & 5

ANTHEIL Symphonies Nos 4 & 5

In 1926 Aaron Copland declared that George Antheil ‘possesses the greatest gifts of any American now writing’. Ten years later,...

Reviewed by Andrew Farach-Colton in issue: 06/2017

Review of Shai Wosner: Impromptu

Shai Wosner: Impromptu

Lest anyone harbour reservations about Shai Wosner’s gifts as an imaginative programmer, this CD should lay them to rest. Using...

Reviewed by Patrick Rucker in issue: 06/2017

Review of STANFORD 38 Preludes from the two sets of Twenty-Four Preludes in all the Keys

STANFORD 38 Preludes from the two sets of Twenty-Four Preludes in all the Keys

Towards the end of his life Stanford wrote two sets of 24 Preludes for piano boasting impeccable craft and characteristic...

Reviewed by Andrew Achenbach in issue: 06/2017

Review of SCHUMANN Fantasie. Kreisleriana

SCHUMANN Fantasie. Kreisleriana

Jean-Philippe Collard’s discography is weighted toward his compatriots, including much-lauded Fauré and Saint Saëns, but during the 1970s he made...

Reviewed by Patrick Rucker in issue: 06/2017

Review of SCHUBERT Piano Sonatas Nos 13 & 21

SCHUBERT Piano Sonatas Nos 13 & 21

Nine years have passed since Javier Perianes’s first disc of Schubert and here he programmes two utterly opposing sonatas, the...

Reviewed by Harriet Smith in issue: 06/2017

Review of RAVEL Miroirs SCRIABIN Piano Sonatas Nos 3 & 10

RAVEL Miroirs SCRIABIN Piano Sonatas Nos 3 & 10

Andrew Tyson keeps his headstrong and occasionally restless interpretative temperament in focus throughout most of his second solo CD, in...

Reviewed by Jed Distler in issue: 06/2017

Review of PAGANINI Bel canto

PAGANINI Bel canto

‘I rather assumed that the sound would be unique right from the start’, recalled Robert Schumann of Paganini’s playing. ‘Nothing...

Reviewed by Richard Bratby in issue: 06/2017

Review of FRESCOBALDI Organ Works

FRESCOBALDI Organ Works

It is heartening to know that Girolamo Frescobaldi’s legacy continues some 374 years after his death. Born in Ferrara in...

Reviewed by Malcolm Riley in issue: 06/2017

Review of Angela Hewitt: Chopin

Angela Hewitt: Chopin

As the booklet-notes point out, the big news emerging from the 1980 Chopin Competition was the jury’s decision not to...

Reviewed by Patrick Rucker in issue: 06/2017

Review of CHOPIN Emmanuel Despax

CHOPIN Emmanuel Despax

Emmanuel Despax prefaces his recording of Chopin’s Preludes with a booklet-note that explains his concern for textual accuracy and avoidance...

Reviewed by Jed Distler in issue: 06/2017


 

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