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Review of VIARDOT Deutsche Lieder

VIARDOT Deutsche Lieder

This, first and foremost, is a labour both of love and of scholarship. Miriam Alexandra combines a career as a...

Reviewed by Tim Ashley in issue: 08/2017

Review of STRAUSS The Complete Songs Vol 8

STRAUSS The Complete Songs Vol 8

Roger Vignoles starts his characteristically engaging booklet note for this final volume in Hyperion’s Strauss song survey with an explanation...

Reviewed by Hugo Shirley in issue: 08/2017

Review of STRADELLA Santa Pelagia

STRADELLA Santa Pelagia

The sources of Santa Pelagia relate to performances in Modena in 1688 – six years after Stradella was murdered in...

Reviewed by David Vickers in issue: 08/2017

Review of SHEPPARD Media vita. Missa Cantate

SHEPPARD Media vita. Missa Cantate

Why has the music of John Sheppard remained comparatively neglected, while works by near-contemporaries Taverner, Tallis, Tye and White have...

Reviewed by Alexandra Coghlan in issue: 08/2017

Review of The English Orpheus

The English Orpheus

A considered exposé of Purcell’s still woefully under-exposed genius is always welcome, especially one as varied and intelligent as Andrew...

Reviewed by Jonathan Freeman-Attwood in issue: 08/2017

Review of PERTI Grands motets for Ferdinando de’ Medici

PERTI Grands motets for Ferdinando de’ Medici

Giacomo Antonio Perti (1661-1756) was maestro di cappella of Bologna’s prestigious San Petronio for nearly 60 years but moonlighted occasionally....

Reviewed by David Vickers in issue: 08/2017

Review of KURTÁG Complete Works for Ensemble and Choir

KURTÁG Complete Works for Ensemble and Choir

Across the 11 works on this three-disc set, which don’t sit too happily under the title ‘Complete Works for Ensemble...

Reviewed by Andrew Mellor in issue: 08/2017

Review of KLEIBERG Mass for Modern Man

KLEIBERG Mass for Modern Man

Ståle Kleiberg’s Mass for the Modern Man deals with pertinent questions surrounding the role of Christian faith in contemporary society...

Reviewed by Andrew Mellor in issue: 08/2017

Review of HANDEL 9 German Arias

HANDEL 9 German Arias

Handel composed very little music on texts in his native German tongue. The most notable examples are settings of poetry...

Reviewed by David Vickers in issue: 08/2017

Review of ELGAR The Dream of Gerontius (Barenboim)

ELGAR The Dream of Gerontius (Barenboim)

There is probably no such thing as the perfect Gerontius. Every recording is flawed in some way. Even the classic...

Reviewed by Edward Seckerson in issue: 08/2017


 

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