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Review of Olga Peretyatko: Russian Light

Olga Peretyatko: Russian Light

After a couple of albums of bel canto arias, Olga Peretyatko is on home soil for ‘Russian Light’. Her journey...

Reviewed by Mark Pullinger in issue: 09/2017

Review of VERDI Il Trovatore (von Karajan)

VERDI Il Trovatore (von Karajan)

Il trovatore, a brief note accompanying this reissue from the Vienna Staatsoper in 1978 reminds us, was one of Karajan’s...

Reviewed by Hugo Shirley in issue: 09/2017

Review of VERDI Aida (Solti)

VERDI Aida (Solti)

It’s interesting to listen to this Aida again after the arrival in 2015 of Warner Classics’ new studio recording under...

Reviewed by Hugo Shirley in issue: 09/2017

Review of ROSSINI Sigismondo

ROSSINI Sigismondo

As an old man, Rossini remembered with gratitude the audience who attended the first performance of Sigismondo in Venice’s La...

Reviewed by Richard Osborne in issue: 09/2017

Review of ROSSINI Adelaide do Borgogna

ROSSINI Adelaide do Borgogna

Adelaide di Borgogna, staged in Rome in December 1817, comes between Rossini’s Armida and Mosè in Egitto. The setting is...

Reviewed by Richard Lawrence in issue: 08/2017

Review of RIMSKY-KORSAKOV The Golden Cockerel

RIMSKY-KORSAKOV The Golden Cockerel

Valery Gergiev’s Kirov recordings of Rimsky-Korsakov operas for Philips in the 1990s did much to restore the composer’s reputation internationally...

Reviewed by Mark Pullinger in issue: 09/2017

Review of PFITZNER Die Rose vom Liebesgarten

PFITZNER Die Rose vom Liebesgarten

If you’ve ever wondered why Hans Pfitzner failed to win the hand of Alma Schindler and wound up instead with...

Reviewed by Andrew Mellor in issue: 09/2017

Review of MONTEVERDI 3 X Poppea

MONTEVERDI 3 X Poppea

L’incoronazione di Poppea has always been the subject of revisionist fascination. The first modern performance, directed by Vincent d’Indy at...

Reviewed by David Vickers in issue: 09/2017

Review of HANDEL Ottone

HANDEL Ottone

Premiered at the King’s Theatre, Haymarket, in January 1723, Ottone was the first Handel opera to pair his star draws...

Reviewed by Richard Wigmore in issue: 09/2017

Review of DONIZETTI Rosmonda D'Inghilterra

DONIZETTI Rosmonda D'Inghilterra

There are plenty of Donizetti rarities for enterprising opera companies and record labels to choose from: Emilia di Liverpool, Elisabetta...

Reviewed by Mark Pullinger in issue: 08/2017


 

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