Book review - Pierre Boulez: Organised Delirium (by Caroline Potter)
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Twenty years ago, much was made of an attempt by Sir Charles Mackerras to recover a performing tradition familiar to...
Reviewed by Peter Quantrill in issue: 04/2017
These recordings are the first to be made in the new 2100-seat concert hall that sits at the heart of...
Reviewed by Richard Osborne in issue: 04/2017
Emmanuel Krivine’s account of the Symphonie fantastique, sensitively filmed at the Cité de la Musique in 2014 during La Chambre...
Reviewed by David Allen in issue: 04/2017
I’ve always thought of Beethoven’s Second as the first stage on his revolutionary symphonic journey, as much a leap forwards...
Reviewed by Rob Cowan in issue: 04/2017
This is, I think, a first release from Höör Barock, the orchestra founded in 2012 to perform at the festival...
Reviewed by Lindsay Kemp in issue: 04/2017
Any route taken through the music of Thomas Adès sooner or later must confront the irresistible force and power of...
Reviewed by Pwyll ap Siôn in issue: 04/2017
The American Brass Quintet has gone through many changes of personnel over the decades, but the high quality of the...
Reviewed by Donald Rosenberg in issue: 04/2017
The American concert band has a sound distinctively its own and a virtuosity that has attracted mainstream composers since the...
Reviewed by Guy Rickards in issue: 04/2017
Never mind that the title of William Hellermann’s Three Weeks in Cincinnati in December has nothing to do with the...
Reviewed by Donald Rosenberg in issue: 04/2017
Barbara Harbach has nurtured a career as a harpsichordist, organist and teacher, but she’s also a prolific composer whose large...
Reviewed by Donald Rosenberg in issue: 04/2017
Neither a biography of his early years, nor a close analysis of the pieces that blew up post-war...
Morrison’s Tchaikovsky is a rationalist who rather enjoys himself and aspires to a Mozartian poise...
This Senofsky double pack is revelatory, especially Brahms’s Third Sonata, a thrilling account with...
These are engaging, spontaneous-sounding performances that if widely heard could well spark off a...
Richard Bratby charts the relationship between the conductor and his Italian orchestra
‘Mengelberg’s performances – like Furtwängler’s – were for the most part products of careful...
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